Building construction XVe siècle (≈ 1550)
Period of construction of the current church.
1910
Painting of the Judgment of Saint Maurice
Painting of the Judgment of Saint Maurice 1910 (≈ 1910)
Work adorning the nave-chore arch.
22 octobre 1976
Historical monument classification
Historical monument classification 22 octobre 1976 (≈ 1976)
Official protection of the building.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church, excluding the sacristy built in 19s (C 79): classification by decree of 22 October 1976
Key figures
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Origin and history
Saint-Maurice de Saint-Maurice-d'Ételan is a Catholic building located in the Seine-Maritime department of Normandy. Built in the 15th century, it embodies the late medieval religious architecture of the region, marked by the use of stone and a sober yet symbolic decoration.
Classified as historical monuments since 22 October 1976, the church is distinguished by its furniture and works of art. Among these, a polychrome statue of St.Mauritius dating from the 16th century and a painting from 1910 illustrating the judgment of the saint, located on the arch separating the nave from the choir. The stained glass windows, representing religious scenes such as the Annunciation or the Nativity, as well as episodes related to Saint Maurice, enrich his artistic heritage.
The building, owned by the commune, excludes the sacristy built in the 19th century from its monumental protection. Its exact address, 6 Rue du Village, and its Insee code (76622) confirm its anchoring in the territory of the Seine-Maritime, near Le Havre. The accuracy of its location is considered "very satisfactory" (note 8/10), highlighting its accessibility and integration into the local landscape.
The role of this church as a place of worship and assembly reflects the importance of religious buildings in Normandy's rural communities. In the 15th century, these buildings served not only spiritual practice, but also social cohesion, often hosting works sponsored by local donors or brotherhoods. Their preservation, as here, reflects the desire to transmit a cultural and historical heritage to future generations.
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