Construction of building 1933 (≈ 1933)
Olier Mortel's work for Joseph Villard.
1950
Resumed photographic workshop
Resumed photographic workshop 1950 (≈ 1950)
By Albert Gouiffès in the building.
1er juin 2006
Registration for historical monuments
Registration for historical monuments 1er juin 2006 (≈ 2006)
Protected facades and roofs.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The building for its facades and roofs (Box BL 249): inscription by order of 1 June 2006
Key figures
Olier Mordrel (ou Mordrelle) - Architect
Designer of Ty Kodak, modern style.
Joseph Villard - Sponsor or sponsor
Photographer, first occupant of the building.
Albert Gouiffès - Workshop owner
Photographer in 1950 in Ty Kodak.
Origin and history
The Ty Kodak building, located at 33-35 boulevard de l'Amiral-de-Kerguelen in Quimper, is a notable example of the "ship" style and art deco in Brittany. Built in 1933 for Joseph Villard or his son, a professional photographer, it is distinguished by its resolutely modern design, contrasting with the traditional architecture of the city. The building is located in a neighbourhood developed between the late 19th and 20th centuries, alongside other achievements such as the Kerguelen city or the Telegram building, although it is not formally part of it.
Designed by architect Olier Mordel (or Mordrelle), Ty Kodak embodies his vision of Breton architecture integrated with contemporary currents, rejecting picturesque regionalism. Mordrel, linked to Breton nationalism, expresses his political convictions through bold aesthetic choices, such as the blue ceramic strips highlighting the horizontality of the facade. The photographic workshop, originally operated by the Villards, was taken over in 1950 by Albert Gouiffès, perpetuating his original use.
Ranked a historic monument in 2006 for its facades and roofs, Ty Kodak illustrates the evolution of architectural practices in Brittany in the 20th century. Private property, there remains a testimony of the debates between modernity and regional identity, while marking the Quimpérois urban landscape. Its heritage inscription devotes its role to the history of art deco and Breton architecture, between local heritage and international influences.
