Fire of Châteaudun 21 juin 1723 (≈ 1723)
Destruction of more than 1,000 homes.
1777
Construction of city hall
Construction of city hall 1777 (≈ 1777)
Stone building on the square.
18 août 1953
Historical Monument
Historical Monument 18 août 1953 (≈ 1953)
Protection of facades and roofs.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Façades and roofs on the square with a return to the streets of Luynes and Marshal-Lyautey (cad. A 24): inscription by order of 18 August 1953
Key figures
Jules Hardouin - Building Controller
Author of the reconstruction plan.
Origin and history
The building of Châteaudun is part of the vast reconstruction project of the city after the great fire of 21 June 1723, which destroyed more than 1,000 houses. Jules Hardouin, the building controller, was tasked with developing a new urban plan in chessboard, centred on a large rectangular square intended to accommodate public buildings and uniform houses. This square, designed in precise geometric proportions, was to be lined with arcades and four large protruding buildings, only two of which were realized: the stone town hall (1777) and a building whose facades and roofs are now protected.
The reconstruction followed a rational model, with regular alignments and a visual hierarchy marked by the height of the buildings. The two pavilions on one of the large sides of the square were never built, leaving room for a post-hotel built in 1900. The current building, located 3 Place du 18-Octobre, illustrates this ambitious urban modernization project, combining functionality and classic aesthetics. Its facades and roofs, listed in the inventory of Historical Monuments since 1953, reflect the architectural heritage of this period.
The classification specifically concerns the elements overlooking the square, with a return to the streets of Luynes and Marshal-Lyautey. This heritage shows both the resilience of the city after the disaster and the influence of the urbanist principles of the Enlightenment, where order and symmetry served to affirm a new collective identity.
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