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Building à Bordeaux en Gironde

Gironde

Building

    4 Rue de la Tour du Pin
    33000 Bordeaux
Immeuble
Immeuble
Immeuble
Immeuble
Immeuble
Immeuble
Immeuble
Immeuble
Immeuble
Immeuble
Immeuble
Immeuble
Crédit photo : William Ellison - Sous licence Creative Commons

Timeline

Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1700
1800
1900
2000
1729
Gabriel's initial projects
1731
Construction of Customs wharf
1746
Relaunch by Tourny
1748
Completion of the perspective
14 avril 1951
Historical Monument
Aujourd'hui
Aujourd'hui

Heritage classified

Façade and Roof (Case S 1): inscription by order of 14 April 1951

Key figures

Jacques Gabriel - Architect Designed the first projects in 1729.
Ange-Jacques Gabriel - Architect Pursues his father's work.
Claude Boucher - Host Launch the dock in 1746.
Aubert de Tourny - Host Finalizes the perspective in 1748.

Origin and history

The building is part of the urban project of Place Royale (now Place de la Bourse) and the docks of the Garonne, initiated in the 18th century. In 1729, architect Jacques Gabriel proposed three plans to structure this space. In 1731 he built the Quai de la Douane and the first facades, marking the beginning of a homogeneous architectural ordinance. This project aimed to create a monumental perspective between the square and the river, with arcades, square floors and Mansard attic.

Upon the death of intendant Claude Boucher in 1746, his successor Aubert de Tourny re-launched the project with Ange-Jacques Gabriel, son of Jacques. In 1748, the uniform facade was completed, extending the Place Royale towards the Garonne. The buildings, including this one, have an arcade base, carved windows and original frames. Despite the disappearance of some wrought iron balconies, the ensemble retains its historic character, although shops on the ground floor have sometimes altered the arcades.

Ranked Historic Monument in 1951 for its facade and roof, this building illustrates the architectural heritage of Gabriel and Tourny. Its style, combining classicism and port functionality, reflects the urban ambition of Bordeaux in the Enlightenment century. The stone skylights, the larmiers and the carved motifs are reminiscent of this period, when the city modernized to assert its commercial and political role.

External links