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Building à Bordeaux en Gironde

Gironde

Building

    777 Rue du Quai Bourgeois
    33000 Bordeaux
Crédit photo : Davitof - Sous licence Creative Commons

Timeline

Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1700
1800
1900
2000
1729
Gabriel's initial projects
1731
Construction of Customs wharf
1746
Acceptance of the first dock
1748
Completion of the monumental perspective
14 avril 1951
Front protection
Aujourd'hui
Aujourd'hui

Heritage classified

The facade and the roof, with back on the rue du quai Bourgeois. (Case KL 0125): entry by order of 14 April 1951

Key figures

Jacques Gabriel - Architect Author of initial projects (1729) and wharf.
Ange-Jacques Gabriel - Architect Collaborates to the monumental perspective (1748).
Claude Boucher - Host Obtains acceptance of the first dock (1746).
Aubert de Tourny - Initiator of the final project Relaunch work with Angel-Jacques Gabriel.

Origin and history

The idea of a royal square and a uniform façade along the banks of the Garonne in Bordeaux has gradually materialised. As early as 1729, the architect Jacques Gabriel proposed three projects, then built in 1731 the Quai de la Douane and its facades. After the death of the intendant Claude Boucher, who had initiated the project in 1746, Aubert de Tourny resumed work with Ange-Jacques Gabriel, son of Jacques. Together, they realized in 1748 a homogeneous architectural order, extending the Place Royale (future place de la Bourse) towards the river.

This monumental project is characterized by an arcade base in the middle of the hangar, two square floors and an attic with the Mansard pierced by skylights. The facades, although partially altered (disappearance of balconies or wrought iron supports), retain their original frames and larmies. The arcades, sometimes modified by the installation of shops on the ground floor, testify to the urban ambition of the 18th century Bordeaux, mixing port functionality and architectural prestige.

The building at 13 quai Richelieu, whose facade and roof have been protected since 1951, illustrates this desire for symmetry and grandeur. The splits and carved motifs of the arcade keys underline the monumental character of the ensemble, designed to affirm the influence of Bordeaux, then major port of Atlantic commerce. The architects Gabriel, father and son, applied a rigorous classical style, lastingly marking the urban landscape.

External links