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Building à Toulouse en Haute-Garonne

Haute-Garonne

Building

    1 Place du Capitole
    31000 Toulouse
Immeuble
Immeuble
Immeuble
Crédit photo : Didier Descouens - Sous licence Creative Commons

Timeline

Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1800
1900
2000
1824-1834
Construction of building
20 août 1974
Registration for Historic Monuments
Aujourd'hui
Aujourd'hui

Heritage classified

Façades and roofs of the building with its return 1-3-5, aisles of the President-Roosevelt and 2, rue d'Austerlitz (cad. AB 142): inscription by order of 20 August 1974

Key figures

Jacques-Pascal Virebent - Architect of Toulouse Designer of the building and beautification program.

Origin and history

The building, located at the corner of the ilot between Wilson Square, Roosevelt Avenues and Austerlitz Street, is a crossing building built between 1824 and 1834. It is part of a set of 27 buildings designed to border Wilson Square and the driveways of the President-Roosevelt, as part of a vast programme of beautification in Toulouse. The neoclassical architecture, signed by Jacques-Pascal Virebent, architect of the city, is distinguished by its facades organized in eleven spans on the Roosevelt aisles, five on Wilson Square and fifteen on the Austerlitz street. The elevations combine arcades, rectangular windows topped with cornices, and a d'attic bandeau transformed into a floor on some faces.

The internal structure revolves around a courtyard now covered, reflecting a typical organization of the urban buildings of the time. The facades and roofs, including the return to the aisles of the President-Roosevelt and the street of Austerlitz, were inscribed in the Historical Monuments by order of 20 August 1974. This building illustrates the municipal ambition to modernize Toulouse in the 19th century, harmonizing its architectural landscape around major squares and axes, while integrating residential and commercial functions.

The neoclassical style adopted by Virebent, marked by symmetry and ancient references, responded to the aesthetic canons of the era, while adapting to urban constraints. The building thus embodies both a desire for prestige and a functional response to the needs of an expanding city, where public squares became places of sociability and representation of municipal power.

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