Installation of crossbows 1671 (≈ 1671)
Royal Company transferred porte Saint-Antoine.
1735
House in the garden
House in the garden 1735 (≈ 1735)
Present on Turgot's plan.
1778-1781
Construction of building
Construction of building 1778-1781 (≈ 1780)
Integrate the existing house into wood.
1864-1865
Replacement by a store
Replacement by a store 1864-1865 (≈ 1865)
Structure made of iron and glass.
début XIXe siècle
Construction of communes
Construction of communes début XIXe siècle (≈ 1904)
4 Richard-Lenoir Boulevard, building outbuildings.
vers 1930
Transformation into cinema
Transformation into cinema vers 1930 (≈ 1930)
Concrete construction, cultural use.
18 janvier 1993
Monument protection
Monument protection 18 janvier 1993 (≈ 1993)
Registration of facades and stairwells.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Facades and roofs; stairway and cage (Box 11: 03 CB 29): inscription by order of 18 January 1993
Key figures
Information non disponible - No character named
The source text does not mention any individual.
Origin and history
The building located in 14 Place de la Bastille and 2-4 boulevard Richard-Lenoir, in the 11th arrondissement of Paris, dates from the last quarter of the 18th century (1778-1781). It includes a pre-existing house, built around 1735 in the old Arbalters Garden, which has been installed on the esplanade of the Saint-Antoine Gate since 1671. The Royal Society of Knights of the Arbalet and Arquebuse of Paris, active on this site, marked the military and social history of the neighborhood before the Revolution.
The present building, built in woodpan with a fill of limestone bellows, was completed by outbuildings in the early nineteenth century. These communes, located at 4 Richard-Lenoir Boulevard, were replaced in 1864-1865 by an iron and glass pan store, itself transformed around 1930 into a concrete cinema. The facades, roofs, as well as the staircase and its cage, were protected by a registration order in 1993.
The site thus illustrates several architectural epochs: the 18th century for the main body, the 19th century for commercial extensions, and the 20th century for adaptation to the cinema. These changes reflect the economic and urban evolution of the neighbourhood, from a military and artisanal space to a commercial and cultural hub.
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