Universal exposure 1867 (≈ 1867)
Russian Pavilion presented in Paris.
1872
Reconstruction of the isbas
Reconstruction of the isbas 1872 (≈ 1872)
Datcha lift villa Beauséjour.
1881
Sale to widow Pereire
Sale to widow Pereire 1881 (≈ 1881)
Acquisition by the Pereire family.
1992
Historic Monument Protection
Historic Monument Protection 1992 (≈ 1992)
Registration façades and roofs.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Facades and roofs (cf. CM 2, 4, 7): inscription by decree of 18 June 1992
Key figures
Alphonse Lasnier - Architect and owner
Designer of the three brick pavilions.
Isaac Pereire - Former owner (widow)
Acquirer in 1881 via his widow.
Paul Benard - Owner
Mentioned in official sources.
Origin and history
The isbas de la villa de Beauséjour form a unique architectural ensemble composed of four pavilions located in the 16th arrondissement of Paris. These buildings, which were listed as historical monuments in 1992, are the remains of the Russian pavilion of the Universal Exhibition of 1867. One of them, a dacha, was built in St Petersburg by Russian carpenters, disassembled and rebuilt in Paris for the exhibition before being resettled in 1872 in the villa of Beauséjour. The other three pavilions, made of brick and stone coated with wood, also come from the buildings of the Exhibition, reused by the architect Alphonse Lasnier, then owner of the premises.
The whole was acquired in 1881 by the widow of Isaac Pereire, a banker and influential businessman of the Second Empire. The resale of these pavilions after the Universal Exhibition is explained by their logistical cost: the exhibiting nations preferred to surrender them rather than repatriate them, these constructions being considered banal in their countries of origin. Today, only the facades and roofs of these isbas (cadastre CM 2, 4, 7) are protected, testifying to an unknown Franco-Russian heritage.
The architect Paul Benard is mentioned as a masterpiece in official sources, although his exact role in the transformation or preservation of pavilions remains unclear. The villa of Beauséjour, with its isbas, thus illustrates the 19th century's enthusiasm for exotic architectures and creative re-employments resulting from international exhibitions. These buildings, located at 3ter and 6 villa Beauséjour and 11bis boulevard Beauséjour, remain a rare example of hybrid heritage, at the crossroads of Slavic and Parisian influences.
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