First text reference 1197 (≈ 1197)
Name of the chapel
XVe siècle
Construction of the choir
Construction of the choir XVe siècle (≈ 1550)
Late Gothic style
Début XVIe siècle
Construction of the nave
Construction of the nave Début XVIe siècle (≈ 1604)
Wood-platinum keel vault
1756
Interior Baroque decor
Interior Baroque decor 1756 (≈ 1756)
Order of Marie de Bretagne
4 juillet 2000
Historical Monument
Historical Monument 4 juillet 2000 (≈ 2000)
Chapel and cross protected
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Chapel and cross of the old cemetery around the church (Box A 86): by order of 4 July 2000
Key figures
Marie de Bretagne - Decoration sponsor
Decor stucco polychrome 1756
Origin and history
The chapel of Barain, mentioned as early as 1197 in the archives, is a composite building reflecting centuries of architectural history. Its choir, dating from the 15th century, is extended by an 18th century sacristy, while its vaulted nave of wood and plaster dates back to the early 16th century. The western gate, adorned with a typical end of the 15th century brace, and the 16th century porch testify to its stylistic evolution, between Gothic tradition and Renaissance influences.
In 1756 Marie de Bretagne commissioned an interior decoration in polychrome stucco, introducing a flamboyant baroque style that contrasted with the sobriety of Burgundy churches. This exceptional decor for the region marks an aesthetic break and highlights the local aristocratic patronage. The chapel, classified as Historic Monument in 2000, also includes a cross of the old cemetery, recalling its central role in the community and religious life of the hamlet.
The monument thus illustrates the historical strata of Avosnes, from its medieval origin to its beautification under the Old Regime. Its hybrid architecture and baroque décor make it a rare testimony to artistic exchanges in Burgundy-Franche-Comté, between Gothic heritage and external contributions like that of Marie de Bretagne.
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