Crédit photo : Véronique PAGNIER - Sous licence Creative Commons
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Timeline
Révolution/Empire
XIXe siècle
Époque contemporaine
1800
1900
2000
XVIIIe siècle
Construction of the chapel
Construction of the chapel XVIIIe siècle (≈ 1850)
Period of initial construction of the monument.
4 novembre 1966
Partial classification for historical monuments
Partial classification for historical monuments 4 novembre 1966 (≈ 1966)
Registration of facades by ministerial decree.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Main fronton facade located Place du Grand Paradis; façade in return located rue de La-Farre (cad. KK 1204) : inscription by decree of 4 November 1966
Origin and history
The Chapel of the Purple Penitents is an ancient Catholic chapel located in the Place du Grand Paradis in Avignon, Vaucluse. Built in the 18th century, it embodies the religious architecture of this period, marked by the brotherhoods of penitents, very active in Provence. Today disused, it has been converted into a cultural space, hosting performances during the famous Avignon festival.
The facades of the chapel, including that adorned with a pediment on the Place du Grand Paradis and another in return on Rue de La-Farre, were inscribed in historical monuments by order of 4 November 1966. This partial classification reflects the heritage value of the building, although its current use differs from its original purpose. The chapel is part of a network of similar monuments in Avignon, linked to the various brotherhoods of penitents, distinguished by symbolic colours.
The venue, managed as a theatre, participates in the cultural dynamics of the city, especially during the summer. Its exact address, 9004 Rue Grand Paradis, and its code Insee (84007) place it in the heart of the historic centre of Avignon, in a region where religious and architectural heritage is particularly rich. Available sources, such as Wikipedia and the Merimée base, confirm its status as an iconic monument, both for its history and its contemporary reuse.
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