Construction of the nave XIIe siècle (≈ 1250)
Romanesque style dominating this part.
XIIIe siècle
Choir edification
Choir edification XIIIe siècle (≈ 1350)
Transition to visible Gothic.
XIVe-XVe siècles
Addition of chapels and tower
Addition of chapels and tower XIVe-XVe siècles (≈ 1550)
Completion of the current structure.
XIXe siècle
Intervention by Arcisse de Caumont
Intervention by Arcisse de Caumont XIXe siècle (≈ 1865)
Preservation of the carved porch.
13 février 1975
Historical monument classification
Historical monument classification 13 février 1975 (≈ 1975)
Official listing.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church (Cd. A 189): entry by order of 13 February 1975
Key figures
Arcisse de Caumont - Historian and archaeologist
Defended the preservation of the porch.
Évêque de Lisieux - Church patron
Holder of the right of appointment.
Origin and history
The Saint-Martin de Nonant church, located in the Calvados department on the banks of the Seulles, is a Catholic building built from the twelfth to the fifteenth century. The nave, dating from the 12th century, has a marked Romanesque style, while the choir, added in the 13th century, illustrates the transition to Gothic art. The side chapels and tower, erected between the 14th and 15th centuries, complete this hybrid architectural ensemble. The southern porch, adorned with remarkable bird sculptures and mouldings, received special attention from Arcisse de Caumont in the 19th century, which opposed its transformation into a chapel to preserve its decorative elements.
The renovations of the 18th and 19th centuries modified certain aspects of the building, such as the warhead windows of the north nave, dated the 16th century. The church was under the patronage of the bishop of Lisieux, stressing its religious importance in the region. Ranked a historic monument in 1975, it now embodies a rich architectural heritage, bearing witness to medieval stylistic developments in Normandy. Its built roof and carved porch make it a characteristic example of Norman rural churches, combining spiritual and artistic functions.
Arcisse de Caumont, in his monumental Statistique du Calvados (1857), accurately described the architectural elements of the church, emphasizing the heritage value of the porch. The latter, threatened by plans to modify in the nineteenth century, was finally preserved thanks to its intervention. Archives and local sources, such as those of the community of communes of Bayeux, confirm its status as communal property and its openness to the public, although the practical details of the visit remain partially documented.
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