Crédit photo : Frédéric COIFFIER - Sous licence Creative Commons
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Timeline
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1400
1500
1600
1700
1800
1900
2000
fin XIIe - XIIIe siècle
Initial construction
Initial construction fin XIIe - XIIIe siècle (≈ 1395)
Romanesque Nef and Gothic choir built.
XVe siècle
Redesign of the north wall
Redesign of the north wall XVe siècle (≈ 1550)
Piercing a door and window.
1700s
Reconstruction of the bell tower
Reconstruction of the bell tower 1700s (≈ 1700)
Stone arrow and lower levels.
XVIe - XVIIe siècle
Modification of berries
Modification of berries XVIe - XVIIe siècle (≈ 1750)
Expansion of the choir windows.
années 1840
Construction of sacristy
Construction of sacristy années 1840 (≈ 1840)
Integration falls pastor Gillette (1841).
13 avril 1933
Ranking of the Northern Portal
Ranking of the Northern Portal 13 avril 1933 (≈ 1933)
Registration for historical monuments.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Small northern portal: registration by decree of 13 April 1933
Key figures
Arcisse de Caumont - Historian and archaeologist
Author of a severe criticism (1857).
Curé Gillette - Serving the parish
Tomb integrated into the sacristy (1841).
Origin and history
The church of the Exaltation-de-la-Sainte-Croix de Sainte-Croix-sur-Mer, located in the Calvados in Normandy, has its origins at the end of the 12th century, with a construction dating mainly from the 13th century. The nave, in Romanesque style, contrasts with the Gothic choir, while the portal dates from the 13th century. The building, originally under the patronage of the abbey of Sainte-Barbe-en-Auge, underwent major modifications: repair of the windows in the 16th century, partial reconstruction of the bell tower in the 18th century, and addition of a sacristy in the 1840s. The small northern gate, the only protected element, was listed as historical monuments in 1933.
The architecture of the church reflects various influences, with notable furniture elements such as a 16th century bentier, a 17th century Virgin with the Child, and two 20th and 21st century cross paths. Arcisse de Caumont, in his monumental Statistique du Calvados (1857), severely criticized the building, judging it "no interest". Despite this, the church preserves traces of its history, such as the tomb of curé Gillette (died 1841) integrated into the sacristy wall, or the capitals of the great arcades of the nave, returned after the Second World War.
The successive transformations — the destruction of the south side, the reshaping of the north-dropper wall in the 15th century, the expansion of the choir bays in the 16th-17th centuries — testify to a continuous adaptation to liturgical and community needs. The bell tower, partially rebuilt in the 18th century, and the cutting stone arrow illustrate this evolution. The church, owned by the commune, remains an active place of worship, marked by its movable heritage and glass windows, although its architectural interest has been minimized by local historians.
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