Gothic reconstruction XIVe siècle (≈ 1450)
Nef and bell tower built today.
XVIIe siècle
Falling of the choir
Falling of the choir XVIIe siècle (≈ 1750)
Reorientation of the church and new works.
1780
Bedside vaulting
Bedside vaulting 1780 (≈ 1780)
Date engraved on the vault key.
1927
Protection of the bell tower
Protection of the bell tower 1927 (≈ 1927)
Registration for historical monuments.
2004
Church protection
Church protection 2004 (≈ 2004)
Total building registration.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The bell tower: inscription by decree of 6 September 1927 - The entire church (Box BE 607): inscription by decree of 7 January 2004
Key figures
Vignol - Architect
Responsible for the 19th century vaulting.
Origin and history
The Church of Notre-Dame del Prat, also called Sainte-Marie del Prat, is a southern Gothic religious building located in Argelès-sur-Mer, in the Eastern Pyrenees. Mentioned as early as 920, it was completely rebuilt in the 14th century with a unique nave flanked by side chapels and an imposing bell tower. Its name, Santa Maria del Prat in Catalan, evokes its original location, probably a pre-municipal.
In the 17th century, the collapse of the choir led to a reorientation of the building: the old west façade became the bedside, and a new gate was built in the east. Work continued in the 18th and 19th centuries, including the laying of a false vault in 1780, later replaced by a restored frame in 2000-2001. The bell tower, typical of Catalan Romanesque towers, was inscribed in the historical monuments in 1927, followed by the church as a whole in 2004.
Architecturally, the church combines exterior sobriety and interior complexity, with a nave covered with diaphragm arches and arched chapels. The massive buttresses and the remains of fortification (like a steeple near the bell tower) testify to its adaptation to the defensive and liturgical needs. Built of river and granite pebbles, it illustrates local techniques while reflecting the influences of beggars in the diffusion of southern Gothic.
Its recent history includes major restorations in the 21st century, such as the façade and side chapels in 2008-2009. These interventions aim to preserve an emblematic heritage of the Roussillon, marked by centuries of transformation and community use.
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