Initial construction XIIIe siècle (≈ 1350)
First building of the church, partially destroyed later.
XVe siècle
Construction of the bell tower
Construction of the bell tower XVe siècle (≈ 1550)
Square tower and octagonal part erected.
1562-1598 (guerres de Religion)
Partial destruction
Partial destruction 1562-1598 (guerres de Religion) (≈ 1580)
Building damaged during conflicts.
1829
Reconstruction
Reconstruction 1829 (≈ 1829)
Church rebuilt after destruction.
1866
Installation of the organ
Installation of the organ 1866 (≈ 1866)
Organ placed in the back part of the nave.
1890
Creation of stained glass windows
Creation of stained glass windows 1890 (≈ 1890)
Directed by the Dagrant workshop in Bordeaux.
25 mars 1930
Ranking of the bell tower
Ranking of the bell tower 25 mars 1930 (≈ 1930)
Protection for historical monuments.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Clocher : by order of 25 March 1930
Key figures
Gustave Pierre Dagrant - Craft glassware
Author of stained glass in 1890.
Morlan - Tarbese painter
Author of the painting of Saint Dominique (1812).
Bénazet - Painter
Author of the Crucifixion painting (1797).
Origin and history
The church Saint-Michel de Mauvezin, located in the Gers department in the Occitanie region, is a religious building originally built in the 13th century. Partly destroyed during the Wars of Religion, it was rebuilt in 1829, with notable architectural elements such as its two-storey octagonal bell tower, classified as a historical monument in 1930. This bell tower, typical of late medieval architecture, consists of a square base with buttresses and an octagonal upper part, adorned with four pinnacles at the corners of the third floor.
Inside, the church houses remarkable furniture, including a former high altar in pink and white marble, topped by a statue of St.Michel terrorizing the dragon. A new carved wooden high altar, installed after the Second Vatican Council, represents the Lamb of God. The stained glass windows, created in 1890 by the Gustave Pierre Dagrant workshop in Bordeaux, as well as an organ dating from 1866, complete this heritage. Two paintings, one from Saint Dominique (1812) and the other from the Crucifixion (1797), are included in the inventory of historical monuments.
The bell tower, the oldest element (15th century), presents a vaulted room on cross-walls of warheads on the ground floor, accessible by a 17th century staircase. Its belfry, illuminated by groaned windows, bears witness to the successive changes in the building. The church, owned by the commune, thus embodies centuries of local religious and architectural history.
The available sources, including Wikipedia and Monumentum, highlight the importance of this monument in the Gers heritage. Its hybrid architecture, blending medieval and modern styles, reflects the region's historical upheavals, including the destructions of the religious wars and subsequent reconstructions. The building remains a living testimony to the evolution of religious and artistic practices in Occitanie.
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