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Church of the Five Pleies of Christ of Allibaudières dans l'Aube

Patrimoine classé
Patrimoine religieux
Eglise
Aube

Church of the Five Pleies of Christ of Allibaudières

    66-67 Rue Saint-Nicolas
    10700 Allibaudières

Timeline

Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1600
…
1900
2000
4e quart XVe siècle - 1er quart XVIe siècle
Construction of church
12 mars 1960
Registration for historical monuments
Aujourd'hui
Aujourd'hui

Heritage classified

The bas-relief encased in the west facade (elements of lintel coming from the lateral gate of the northern façade of the former church) (Box AD 215): inscription by decree of 12 March 1960

Key figures

Information non disponible - No character mentioned Sources do not cite any related historical actors.

Origin and history

The Church of the Five-Plaies-du-Christ of Allibaudières is a religious building located in the department of the Aube, in the Greater East. Built between the 4th quarter of the 15th century and the 1st quarter of the 16th century, it reflects the religious architecture of this pivotal period between the Middle Ages and the Renaissance. Its bas-relief, embedded in the west facade, comes from the old church and was classified as a historical monument in 1960.

The building is located precisely at 66 Rue Saint-Nicolas, on the town of Allibaudières (code INSEE 10004). It belongs to the commune and retains notable architectural elements, such as the lintel of the lateral gate of the northern facade of the old church. Although its state of conservation and visitation are not detailed, its heritage protection underscores its historical and cultural importance.

At the time of its construction, between the late 15th and early 16th centuries, the Aube region was marked by a transition between feudal structures and the beginnings of modernity. Parish churches, such as Allibaudières, played a central role in community life, serving as a place of worship, assembly and symbol of local power. Their architecture often reflected the stylistic influences of the period, sometimes combining late Gothic elements and renaissant innovations.

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