First written entry Xe siècle (≈ 1050)
Donation to the Abbey of Beaulieu-sur-Dordogne by Ratbodus.
1326
Possession of Bonafos
Possession of Bonafos 1326 (≈ 1326)
Family linked to Turenne Viscounts.
1789
End of connection to the priory
End of connection to the priory 1789 (≈ 1789)
Rupture with the French Revolution.
1795
Fire of the Presbytery
Fire of the Presbytery 1795 (≈ 1795)
Destruction of local archives.
1880
Reconstruction of the church
Reconstruction of the church 1880 (≈ 1880)
Romance style preserved, plan unchanged.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Ratbodus - Donor
Offer its villa from Calviaco to the Abbey (Xth century).
Rudolphe - Abbé de Beaulieu
Beneficiary of the donation (th century).
Bonafos de Teyssieu - Local Lords
Owned Calviac in 1326.
Origin and history
The church of Saint-Étienne de Calviac, located in the Lot, is mentioned for the first time in the 10th century in writings relating it to the abbey of Beaulieu-sur-Dordogne. An act of donation quotes Ratbodus, who offers his villa in Calviaco to Abbé Rudolphe. After this period, the archives were lacking until the 14th century, where the church was attached to the priory of Escalmels, a dependence confirmed until the Revolution.
In 1326 the Bonafos de Teyssieu, vassals of the Viscount of Turenne, owned half of Calviac. The church remained under the authority of the priory of Escalmels until 1789. A fire in 1795 ravaged the presbytery, destroying the local archives. The reconstruction took place in 1880, taking over the original Romanesque design and style, as evidenced by the Napoleonic cadastral.
Architecturally, the church combines Romanesque elements (flat hair, bell tower) and neoclassical elements (portal). Its interior mixes Gothic, Baroque and re-use influences of the former building. The furniture, dating from the seventeenth to eighteenth centuries, includes statues (Vierge à l'Enfant, Saint Roch) and anonymous paintings, reflecting its central role in the parish.
The written sources are based on the archives of the General Inventory of Occitanie and the Merimée base, supplemented by local studies such as those of Yvette Aquioupou. The church thus illustrates the evolution of a rural place of worship, marked by historical hazards and successive reconstructions.
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