Raimbault Campaign Années 1860 (≈ 1860)
Second phase of work.
1885
West Gate Recast
West Gate Recast 1885 (≈ 1885)
Identical reconstruction.
1882–1927
Complete interior rectification
Complete interior rectification 1882–1927 (≈ 1905)
Modernisation of liturgical space.
2010
Historical Monument
Historical Monument 2010 (≈ 2010)
Full protection of the building.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The entire parish church (Box D 149): inscription by decree of 30 April 2010
Key figures
Goscellin de Sainte-Maure - Local Lord
Author of the transfer charter (XIe).
Gustave Guérin - Diocesan architect
Directs restoration (1858–62).
Raimbault - Architect
Responsible for the 1860s.
Origin and history
The church Our Lady of Sepmes finds its origins in a charter of Goscellin of Sainte-Maure, dated the second half of the 11th century, assigning its rights to the building to the Abbey of Noyers. Although built mainly in the 12th and 13th centuries, it preserves remains of its primitive state, such as a small apparatus and a curved door on the north wall, suggesting continued occupation of the site since the 11th century. The nave, covered with veined vaults, and the three-vealed choir illustrate a transitional architecture between Romanesque and Gothic, with capitals carved with vegetal motifs and caps decorated with human busts, probably dated to the late 12th or early 13th century.
In the 16th century, a chapel was added in 1533 to the junction of the north wall and the prominent choir. The structures of the nave and choir undergo renovations in the 17th and 19th centuries, as evidenced by the memories of 1860. Between 1858 and 1862, architect Gustave Guérin carried out a general restoration (roofs, masonries, elevation of walls), followed in the mid 1860s by a second campaign led by Raimbault. The west gate was re-established in 1885, and a sacristy was built between the southern pillars of the nave. Finally, the interior was completely refected between 1882 and 1927, consolidating its present appearance.
Ranked a Historic Monument in 2010, the church thus combines medieval elements (Romanesque clocher, ogival vaults) with modern additions, reflecting almost a millennium of architectural and religious history. His plan, his sculptures and his successive restoration campaigns bear witness to the evolution of techniques and tastes, from the Middle Ages to the contemporary era.
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