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Saint-Médard Church of Fresnes-Mazancourt dans la Somme

Somme

Saint-Médard Church of Fresnes-Mazancourt

    7 Rue de l'Église
    80320 Fresnes-Mazancourt

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1200
1300
…
1900
2000
XIIe siècle
Construction of the original Romanesque church
1927
Start of reconstruction
Années 1930
Creation of the interior decor
1931
Church completion
Après 1945
Replacement of stained glass windows
Aujourd'hui
Aujourd'hui

Key figures

Louis Duthoit - Architect Designer of plans and furniture
Marcel Sueur - Sculptor (master altar, pulpit) Director of stone furniture
Jean Gaudin - Master glass Author of the first stained glass windows (1931-1932)
Claude Barre - Artisan stained glass Replacement of stained glass windows after 1945
Gérard Ansart - Artist Creator of the Way of the Cross
Darras - Sculptor Statues and baptismal fonts

Origin and history

The Saint-Médard church of Fresnes-Mazancourt replaces a 12th century Romanesque building destroyed during the First World War. Its reconstruction, entrusted to architect Louis Duthoit in 1927, was completed in 1931 after delays due to the discovery of saps and galleries under the bell tower. The project aimed to preserve the original Romanesque spirit, both in the materials (white stone on sandstone base) and in the traditional basilical plane.

Louis Duthoit superimposed a Romanesque aesthetic on modern techniques, as evidenced by the slate bell tower and the gate protected by a stone awning. The interior, built between 1931 and 1932, brings together works by local artisans: stone furniture by Marcel Sueur, original stained glass windows by Jean Gaudin (replaced after 1945 by Claude Barre), and a cross road by Gérard Ansart. The sculptor Darras contributed to the statues and baptismal fonts.

The church is part of the post-Great War reconstruction movement, characteristic of devastated areas like Picardia. In the vicinity, Duthoit also erected a monument to the dead in the form of a lantern of the dead, strengthening the memorial link between the building and the conflicts of the twentieth century.

External links