Construction or engraving 1749 (≈ 1749)
Date engraved on the lower part.
1897
Restoration or displacement
Restoration or displacement 1897 (≈ 1897)
Date engraved on the walk.
29 novembre 2000
Registration historical monument
Registration historical monument 29 novembre 2000 (≈ 2000)
Registration as a monument.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Cross (Case AN 162): entry by order of 29 November 2000
Key figures
Information non disponible - No character cited
The source text does not mention any actors.
Origin and history
The cemetery cross of Saint-Fargeau-Ponthierry is a historical monument dated the 2nd quarter of the 18th century, more precisely from 1749 according to the engraving visible on its base. This pyramid-shaped monolith, surmounted by an ionic capital and an iron cross with trilobed ends, is distinguished by its four carved faces representing the instruments of the Passion. Originally, it was probably located in the old cemetery surrounding the church of the commune.
A second date, 1897, was engraved on the way, suggesting a restoration or displacement at that time. The cross was listed as a historical monument by decree of 29 November 2000, and today it belongs to the commune. Its current location, Church Square, corresponds to the address referenced in the Merimée base, although the accuracy of its location is considered mediocre (note of 5/10).
This type of monument, typical of ancient cemeteries, served as both a religious landmark and a memorial symbol for the deceased. The instruments of the sculpted Passion recall the liturgical and devotional context of the era, where the cemetery crosses played a central role in funeral practices and collective piety. The presence of a specific date (1749) and subsequent mention (1897) illustrates its anchoring in local history, between the 18th century heritage and later adaptations.
The iron and stone cross reflects the artisanal techniques of the era, with an ionic capital characteristic of classical influence in provincial religious art. Its possible displacement from the old cemetery to its current location is evidence of urban transformations and changes in the management of sacred spaces, including the creation of cemeteries outside the city centres in the 19th century.
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