Crédit photo : Matt Neale from UK - Sous licence Creative Commons
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Timeline
XIXe siècle
Époque contemporaine
1900
2000
1899-1902
Construction of the villa
Construction of the villa 1899-1902 (≈ 1901)
In plans of Boucher and Alex.
20 mai 1986
Historical monument classification
Historical monument classification 20 mai 1986 (≈ 1986)
Official protection of the building.
2011
Label Maison des Illustres
Label Maison des Illustres 2011 (≈ 2011)
National recognition of the place.
fin octobre 2023
Museum reopening
Museum reopening fin octobre 2023 (≈ 2023)
After accessibility and renovation.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Villa des Frères Lumière (old) (Box AD 26): inscription by decree of 20 May 1986
Key figures
Antoine Lumière - Villa sponsor
Father of the Light Brothers.
Jeanne-Joséphine Lumière - Principal inhabitant
Wife of Antoine Lumière.
Paul Boucher - Architect
Co-conceptor of the villa.
Charles-Joseph Alex - Architect
Co-conceptor of the villa.
Origin and history
The Villa Lumière is a bourgeois house built between 1899 and 1902 in Lyon, in the 8th arrondissement, near the Lumière factories. Sponsored by Antoine Lumière, father of cinema inventors, it was designed by architects Paul Boucher and Charles-Joseph Alex as a family residence. Although intended to house the family, it was mainly occupied by Jeanne-Josephine Lumière, wife of Antoine, before becoming an administrative place for the society Lumière from 1950. Its Art Nouveau style and its link to the history of cinema make it an emblematic building.
The villa, classified as a historical monument in 1986 and labeled "House of Illustrators" in 2011, was renovated in 1978 to house the National Photography Foundation until 1993. After that date, she joined the Musée Lumière and the Raymond Chirat library, run by the Institut Lumière. Located next to the First-Film hangar, it symbolizes the industrial and cultural heritage of the Light family. In 2023, after works of accessibility and modernization, the museum reopens its doors to the public, perpetuating its vocation as a place dedicated to image and history.
The building combines a luxurious decoration, characteristic of Art Nouveau, with a history intimately linked to the beginnings of cinema. Its ranking and location make it a major site of Lyon heritage, attracting researchers and visitors. The villa also illustrates the evolution of heritage uses, from private residence to museum space, while preserving its historical identity.
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