Construction of house 1777 (≈ 1777)
For Maximin Vieille, by Nicolas Nicole.
XIXe siècle
Changes in secondary accommodation
Changes in secondary accommodation XIXe siècle (≈ 1865)
Upgrading and closing of the stairs.
1937
Front protection
Front protection 1937 (≈ 1937)
Registration for Historic Monuments.
1988
Restoration of the decor
Restoration of the decor 1988 (≈ 1988)
False marble by Jean-Marie Barret.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The facades and the height that overcomes them: inscription by decree of 22 October 1937
Key figures
Maximin Vieille - Master-coverer and *gissier*
Sponsor of the house in 1777.
Nicolas Nicole - Architect assigned
Would have designed the building according to the sources.
Jean-Marie Barret - Painter-restaurant
Restoration of the decor in 1988.
Origin and history
The house located 31 Place de la Prefecture in Besançon is a corner building built in 1777 for Maximin Vieille, master-coverer and gissier. Its architecture is distinguished by a return staircase of honor with a day in masonry and frame, as well as a ramp in ironwork. The concave plan of its facade harmonizes with that of the neighbouring building, forming the present square of the Prefecture. The building was designed by architect Nicolas Nicole, according to historical research.
The second house, accessible by a staircase with an open cage on courtyard, underwent modifications in the 19th century: partial elevation and closure of the cage by bay windows. The false marble decoration of the staircase of honour, added in the 19th century, was restored in 1988 by the painter Jean-Marie Barret. The facades and attic have been protected since 1937 by an inscription in the Historical Monuments.
The land, purchased from the city, was initially located in front of the Intendance, stressing its importance in the urban planning of Besançon at the end of the eighteenth century. The building illustrates the know-how of local artisans, such as roofers and ironmakers, as well as the influence of architects in the transformation of the city centre under the Ancien Régime.
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