Construction of house 1er quart XVIe siècle (≈ 1625)
Period of initial building construction.
4 décembre 1925
Historical Monument
Historical Monument 4 décembre 1925 (≈ 1925)
Registration of the façade on street.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Façade sur rue : inscription by order of 4 December 1925
Key figures
Robert Stuart - Owner and presumed sponsor
Blazon and numbers on the house.
Anne Stuart - Wife of Robert Stuart
Blason associated with the house.
Jacqueline de la Queille - Wife of Robert Stuart
Blazon and engraved numbers.
Origin and history
The Maison du Bailli d'Aubigny-sur-Nère, built in the 1st quarter of the 16th century, is a remarkable example of Renaissance civil architecture in the Centre-Val de Loire region. This monument is distinguished by its wooden panels facade, whose ground floor retains an entrance door decorated with two richly carved poles, surmounted by a gable to flower. The advanced beam supporting the floor, decorated with a knotted cord, as well as the carefully sculpted first floor door window bear witness to exceptional craftsmanship for the time. The house also bears the figures and coats of arms of Robert Stuart and his wives, Anne Stuart and Jacqueline de la Queille, highlighting his relationship with this influential family.
Originally, this home formed a unified whole, but it is now divided into two distinct properties. Despite this separation, the original architectural elements, such as the complete layout of the ground floor or wooden decorations, remain partially preserved. The façade on street was classified as Historic Monument by order of 4 December 1925, thus recognizing its heritage value. Located at 13-17 rue du Bourg-Coutant, this house illustrates the mixture of medieval and Renaissance styles, characteristic of the bourgeois constructions of the region at the beginning of the sixteenth century.
The historical context of this house is part of a period of architectural transition, where traditional techniques (such as wood panels) coexist with Renaissance innovations. Aubigny-sur-Nère, then under the influence of Stuart d'Aubigny – a Scottish branch based in France – is experiencing economic and cultural growth. The houses of this time often reflect the social status of their owners, as evidenced here by the luxurious coats and decorations. The presence of a baili, a seigneurial justice officer, also suggests that the building could play an administrative or representative role in the city.
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