Construction 1er quart XVIe siècle (≈ 1625)
Initial construction period, in two stages.
1859
Restoration by Schmidt
Restoration by Schmidt 1859 (≈ 1859)
Work mentioned on the front door.
15 février 1935
Historical monument classification
Historical monument classification 15 février 1935 (≈ 1935)
Inscription of the door and balcony.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Entrance door and balcony: inscription by order of 15 February 1935
Key figures
Schmidt - Restaurant restaurant
Worked in 1859.
Origin and history
The house at 13 rue de la Première-Armée-Française in Ensisheim (Haut-Rhin) is an emblematic building from the 1st quarter of the 16th century. It is distinguished by its balcony decorated with the city's weapons, two busts of Habsburg emperors and a rosette, as well as by an entrance door bearing an inscription relating to a restoration carried out in 1859 by a certain Schmidt. These architectural elements testify to its historical importance and its connection to the urban identity of Ensisheim, a city marked by its imperial past under the Habsburgs.
Classified as a historic monument since 15 February 1935, this house illustrates the evolution of Alsatian civil architecture during the Renaissance. The protection specifically concerns the entrance door and the balcony, which are considered representative of its artistic and historical heritage. Although the sources mention a two-stage construction, the precise details of this phase remain unclear, suggesting a gradual adaptation of the building to the needs of its occupants or to the stylistic changes of the time.
Ensisheim, located in the Haut-Rhin department in the Grand Est region, was at this time a dynamic city under the influence of Habsburg. Bourgeois houses like this often served as residences for local notables or representatives of imperial power. Their decoration, combining municipal symbols and imperial references, reflected both communal autonomy and submission to the central authority. This type of building thus played a social and political role, embodying the prestige of the city and its elites.
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