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All French heritage classified by regions, departments and cities

House à Richelieu en Indre-et-Loire

House

    16 Place du marché
    37120 Richelieu
Private property

Timeline

Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1600
1700
1800
1900
2000
1632
Construction of house
1642
Sale after the death of the cardinal
9 juin 1932
First protection
29 janvier 1992
Extended protection
Aujourd'hui
Aujourd'hui

Heritage classified

Facade and roof: inscription by decree of 9 June 1932; East facade on courtyard and roof of main house body (C 113): inscription by order of 29 January 1992

Key figures

Cardinal de Richelieu - Urban project sponsor Turned its native village into a city.
Jacques Lemercier - Architect Designs the plans of the house.
Jean Thiriot - Presumed contractor Aura built the house.
Gilles Bartellemi - First owner (?) Returned home in 1642.

Origin and history

The house of Richelieu, built in 1632, is part of the ambitious urban project of Cardinal Richelieu, which transformed his native village into a planned city. The architect Jacques Lemercier, also responsible for the castle, designed the plans of this ideal city, marked by symmetrical streets, ditches, and aligned houses. This house, with its facade overlooking the Market Square, its shops on the ground floor and its wooden staircase, illustrates this rational urban model.

The construction was probably carried out by the entrepreneur Jean Thiriot for Gilles Bartellemi, who sold it after the cardinal's death in 1642. The building preserves remarkable elements such as a 17th century fireplace in the courtyard and 18th century lambris side street. The facade and roof, protected in 1932, testify to the heritage importance of this vestige of the new town of Richelieu.

Cardinal de Richelieu, minister of Louis XIII, used this project to assert his power and modernist vision. The city, surrounded by monumental walls and doors, was to embody order and grandeur, reflecting the political ambitions of its founder. This house, through its alignment and architecture, participates in this collective symbolism.

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