Acquisition by Abbé Raymond I 1180 (≈ 1180)
Purchase of property in Peret by the abbey.
3e quart du XVIe siècle
Construction of house
Construction of house 3e quart du XVIe siècle (≈ 1662)
Construction period of the current building.
XVIIe siècle
Paragement between Pézenas and Saint-Sauveur
Paragement between Pézenas and Saint-Sauveur XVIIe siècle (≈ 1750)
Agreement on seigneurial rights.
12 décembre 1963
Portal classification
Portal classification 12 décembre 1963 (≈ 1963)
Registration as a Historic Monument.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Door to the Church Square (Box B 210): inscription by decree of 12 December 1963
Key figures
Raymond Ier - Abbé de Saint-Sauveur de Lodève
Acquired property at Peret in 1180.
Comte de Pézenas - Local Lord in the 17th century
Signatory of the closet with the Abbey.
Origin and history
The House Vergnes, located in Peret in Occitanie, dates from the 3rd quarter of the 16th century. This building, probably linked to the local seigneury or the abbey of Saint-Sauveur de Lodève, occupies a plot angle with a pan-cut gate. Its arch in the middle of the hanger, decorated with a head carved in relief and supported by consoles decorated with palmette and acanthe leaves, bears witness to a neat craftsmanship. The frieze, divided into compartments, has varied motifs such as leonins masks, roses and bucranes, reflecting the artistic influences of the period.
In the Middle Ages, Peret was divided between the king and the abbot of Saint-Sauveur de Lodève. In 1180, Abbé Raymond I acquired local property, while in the 17th century, a parage was signed between the Count of Pézenas and the Abbé, consolidating seigneurial rights. The House Vergnes, built in the Renaissance, could have served as a seigneurial dwelling, a dwelling for a royal lieutenant or a presbytery dependent on the abbey. Its portal, the only original element preserved, was classified as a Historic Monument in 1963.
The building illustrates the power dynamics between the nobility, the clergy and the crown in Languedoc. Its architecture, although redesigned, preserves traces of its past prestige, notably through the carved decorations of the portal. These artistic elements, typical of the Renaissance, underline the symbolic role of the building in local life, between religious authority and secular power.
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