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Savart Mausoleum in Saint-Michel dans l'Aisne

Patrimoine classé
Patrimoine religieux
Mausolée
Aisne

Savart Mausoleum in Saint-Michel

    47 Rue de la Roche
    02830 Saint-Michel

Timeline

XIXe siècle
Époque contemporaine
1900
2000
1880
Construction begins
29 janvier 1881
Death of Arthur Savart
juin 1890
Burial of Félicité Savart
27 avril 1907
Death of Caesar Savart
24 août 2004
Historical monument classification
Aujourd'hui
Aujourd'hui

Heritage classified

The mausoleum in full (Box ZD 7): classification by order of 24 August 2004

Key figures

César Savart - Sponsor and businessman Fits erect the mausoleum for his son.
Arthur Savart - Son of Caesar Savart Died in 1881, at the origin of the monument.
Charles Garnier - Architect Author of the plans, famous for the Paris Opera.
Eugène Delaplanche - Sculptor Realized the allegories of Labour and Charity.
Félicité Savart - Wife of Caesar Savart Buried in 1890 in the mausoleum.
E. Fournier - Parisian architect Supervised the construction in 1880.

Origin and history

The Savart Mausoleum is an eclectic funeral monument located in Saint-Michel, in the department of Aisne (Hauts-de-France). Built at the end of the 19th century, it was designed by architect Charles Garnier, famous for the Paris Opera and the Monte-Carlo casino, and decorated by sculptor Eugène Delaplanche. This mausoleum was erected in memory of Arthur Savart, the only son of Caesar Savart, who died in 1881. Two allegorical statues, representing Labour and Charity, symbolize Caesar Savart and his son Arthur.

Construction of the mausoleum began in 1880, after the death of Arthur Louis Savart, under the direction of the Parisian architect E. Fournier and the marbrier E. Seguin. Congratulated Savart, wife of Caesar and mother of Arthur, was buried there in 1890, followed by Caesar Savart himself in 1907. The monument illustrates the links between César Savart and the Parisian artistic community, notably with Garnier and Delaplanche. Ranked a historic monument in 2004, it bears witness to the bourgeois funeral art of the late 19th century.

The mausoleum is distinguished by its carved decor and its neat architecture, reflecting both the family mourning and the social ambition of César Savart, a businessman who attended Parisian elites. The stone allegories, signed Delaplanche, reinforce the symbolic character of the monument, combining family privacy and public representation. Today, the mausoleum belongs to the commune of Saint-Michel and remains a remarkable example of the regional funeral heritage.

External links