Construction of the monument XXe siècle (≈ 2007)
Period of creation and inauguration not specified.
7 avril 2016
Registration for Historic Monuments
Registration for Historic Monuments 7 avril 2016 (≈ 2016)
Total protection of the monument and facilities.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
In total, the monument to the dead and its layouts with its terminals and chains (not cadastre): inscription by decree of 7 April 2016
Key figures
Alix Marquet - Sculptor
Author of the allegorical group (pilu and woman).
Claude Camuzat - Architect
Designer of monumental base and layout.
Origin and history
The Nièvre Memorial to the Dead, located in Salengro Park in Nevers, was designed in the 20th century to honour soldiers who died in the First World War. It is distinguished by an architectural and sculptural composition: a monumental base decorated with the shields of the cities of Nevers, Cosne, Clamecy and Château-Chinon, symbolizing the departmental unity. This base, by architect Claude Camuzat, supports an allegorical statue by sculptor Alix Marquet.
At the top of the monument, a wounded hairy trample a German eagle, embodying victory over the enemy, while a mourning woman – perhaps an allegory of France or the city of Nevers – lays a crown on a grave and crowns the laurel soldier. This sculptural group illustrates both the sacrifice, the pain of the loved ones and the posthumous glory of the fighters. The pillars and chains surrounding the monument complete its solemn character.
The monument was inscribed in the Historical Monuments by order of April 7, 2016, recognizing its heritage and memorial value. Today it is owned by the town of Nevers and remains a central gathering place in the city, located near Carnot Square. Its location, although marked by medium geographical accuracy (level 5/10), makes it a historical and artistic landmark in the urban landscape.
The design of the monument reflects the artistic and symbolic codes of monuments to the deaths of the interwar period: a mixture of realism for human figures and allegory to represent the Nation or the Victory. The city shields recall the local anchor of mourning, while the main scene universalizes the sacrifice of soldiers, transcending communal borders.
Available sources, including Monumentum, highlight the importance of this monument as a testimony to early twentieth century memorial art. His recent protection (2016) attests to his preservation as a work of public art and a place of collective memory, always attended at the ceremonies of 11 November or 8 May.
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