First erection of the column 1599 (≈ 1599)
Commemoration of the edict of Nantes place de la Provôté.
1798
Statue of Freedom Added
Statue of Freedom Added 1798 (≈ 1798)
Inauguration with work by Joseph Chinard.
1867
Column descended from its base
Column descended from its base 1867 (≈ 1867)
Threatened by frost, stored 50 years.
1922
Re-restitution as a monument to the dead
Re-restitution as a monument to the dead 1922 (≈ 1922)
Tribute to the soldiers of 1914-1918 by Mathivet.
1931
Column entry
Column entry 1931 (≈ 1931)
First protection to historical monuments.
2020
Classification of the monument
Classification of the monument 2020 (≈ 2020)
Full protection by ministerial decree.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
In total the monument to the dead surrounded by its grids, sis place du Champ-de-Mars, on the non-cadastre public domain, section AX of the cadastre, as delimited on the plan annexed to the decree: classification by decree of 30 September 2020
Key figures
Joseph Chinard - Lyon sculptor
Author of the Statue of Liberty (1798).
Désiré Mathivet - 20th Century Statuary
Designer of the monument to the dead (1922).
Origin and history
The monument to the dead of Tournus is distinguished by its Roman column of the first centuries, discovered in the Saône. Measuring 6 meters high, it was erected in 1599 Place de la Provôté to commemorate the edict of Nantes, then surmounted by a cross. After the Revolution, it became a symbol of Liberty with a statue carved by Joseph Chinard in 1798, before being modified several times in the 19th century.
In 1867, threatened by frost, the column was lowered and stored in the courtyard of the Caserne for more than fifty years. It was rebuilt in 1922 on the Champ-de-Mars square by the statuary Désiré Mathivet, transformed into a monument to the dead to honour the canton's soldiers who had fallen during the First World War. The column alone was entered in 1931, then in 2016, before being ranked in 2020.
This monument illustrates the reuse of ancient elements in modern commemorations, combining local history and national memory. Its evolution reflects the political and symbolic changes of France, from Nantes' edict to the Great War. The column, originally pagan, became in turn a religious symbol, revolutionary, then memorial, testifying to the historical richness of Tournus.
Announcements
Please log in to post a review