Initial construction 1623 (≈ 1623)
Private hotel for Nicolas Japin.
1737
Purchase by the city
Purchase by the city 1737 (≈ 1737)
Becoming a city hall for £18,000.
12 juillet 1886
Historical classification
Historical classification 12 juillet 1886 (≈ 1886)
Protected as a historical monument.
12 septembre 1894
Major fire
Major fire 12 septembre 1894 (≈ 1894)
Reconstruction until 1898.
1916
Battle of Verdun
Battle of Verdun 1916 (≈ 1916)
Firefighters' refuge in basements.
1925
Creation of the museum
Creation of the museum 1925 (≈ 1925)
War Museum initiated by Schleiter.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Hôtel de Ville : classification by decree of 12 July 1886
Key figures
Nicolas Japin - Initial sponsor
Commissioner of powders, owner in 1623.
Marquise de Boudeville - Intermediate owner
Heir after Japin died.
Victor Schleiter - Deputy Mayor of Verdun
Founded the War Museum in 1925.
Origin and history
The town hall of Verdun was built in 1623 as a mansion for Nicolas Japin, commissioner of state powders, in a Louis XIII style inspired by the Sully hotel in Paris. When he died, the building passed to the Marquise de Boudeville, before being bought by the city in 1737 for 18,000 pounds. He then became the seat of municipal institutions, a role he still retains today.
In 1865 an extension was added to the left wing, and in 1886 the building was classified as a historic monument. A devastating fire in 1894 required a reconstruction completed in 1898, during which a carved pediment and a campanile were added. During the Battle of Verdun in 1916, firefighters took refuge in its basements, testifying to its importance during the conflict.
Since 1925, the city hall has been home to the War Museum, created on the initiative of MP Victor Schleiter. The museum exhibits documents and objects related to the First World War, including medals, photographs of destruction, and relics of destroyed villages. Four cannons offered in 1873 for the resistance of Verdun during the Franco-German war were also visible in the court.
The architecture, typical of the Louis XIII style, consists of a main body flanked by two square wings, with a court of honor closed by a gallery. The campanile overlooking the building and the decorative elements recall the Parisian influence, especially that of the Sully hotel. The building symbolizes both municipal power and the memory of the conflicts that marked the city.
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