Building blocks 1907 (≈ 1907)
Family Viard-Morel leaves the hotel to the city.
1920
Creation of the museum
Creation of the museum 1920 (≈ 1920)
Installation of the first war/fossil collections.
1973
New boom
New boom 1973 (≈ 1973)
Arrival of Gérard Mourlet as curator.
2004
Closure for renovation
Closure for renovation 2004 (≈ 2004)
Modernization project launched.
octobre 2011
Reopening and labeling
Reopening and labeling octobre 2011 (≈ 2011)
Obtained title *Musée de France*.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Gérard Mourlet - Volunteer Conservative
Relaunched the museum from 1973.
Famille Viard-Morel - Building donors
Bequeaths the hotel to the city in 1907.
Jean Mathieu - Subdelegate of Champagne
Former hotel occupant in the 18th century.
Origin and history
The Musée de l'Argonne Viard-Morel came into being in 1920, when the Municipal Council of Argers decided to set up a museum dedicated to the objects of the Great War, as well as to local fossils and minerals. This project is part of a building bequeathed to the city in 1907 by the Viard-Morel family, on condition of making it a cultural space. The museum developed modestly until 1973, when Gérard Mourlet, a volunteer curator, gave him a new boost.
In 2004, the museum closed for old age, launching an ambitious renovation project supported by the Ministry of Culture, the Champagne-Ardenne Region and the General Council of the Marne. The aim is to bring together the media library, museum and cyberspace in one place, with particular attention to the preservation, study and mediation of collections. A complete inventory and restoration program are conducted prior to reopening in October 2011.
The museum then obtained the name Musée de France, recognizing its role in valuing local heritage. Its collections, enriched over time, now cover regional history, fine arts (paintings of the seventeenth to eighteenth centuries, sculptures), sacred art, natural sciences (paleontology, malacology) and urban planning, illustrating the military, religious and scientific past of the Argonne. The building itself, a former 18th-century hotel housing the Champagne Subdelegation, adds a heritage dimension to the whole.
Although the source text also mentions the Museum of St.Menehould, it is a separate entity, centred on the art and local history of this city, from the Middle Ages to the century of the Enlightenment. Both institutions, although complementary in their approach to regional heritage, remain independent of each other.
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