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Léon Dierx Museum

Léon Dierx Museum

    23 Rue Sainte-Marie
    97400 Saint-Denis
Musée Léon Dierx
Musée Léon Dierx
Musée Léon Dierx
Musée Léon Dierx
Musée Léon Dierx
Musée Léon Dierx
Musée Léon Dierx
Musée Léon Dierx
Musée Léon Dierx
Musée Léon Dierx
Musée Léon Dierx
Musée Léon Dierx
Musée Léon Dierx
Musée Léon Dierx
Musée Léon Dierx
Musée Léon Dierx
Musée Léon Dierx
Musée Léon Dierx
Musée Léon Dierx
Musée Léon Dierx
Musée Léon Dierx
Musée Léon Dierx
Musée Léon Dierx
Musée Léon Dierx
Musée Léon Dierx
Musée Léon Dierx
Musée Léon Dierx
Musée Léon Dierx
Musée Léon Dierx
Musée Léon Dierx
Musée Léon Dierx
Musée Léon Dierx
Crédit photo : Thierry Caro - Sous licence Creative Commons

Timeline

XIXe siècle
Époque contemporaine
1900
2000
1913-1914
Enrichment of collections
1922
Legacy The Coat of Kervéguen
1947
Donation Vollard
années 1990
Contemporary Art Collection
Aujourd'hui
Aujourd'hui

Key figures

Ambroise Vollard - Art dealer and collector Donor of 157 modern works in 1947.
Adèle Ferrand - Romantic painter Integrated works via the bequest of 1922.
Marius et Ary Leblond - Selection of Vollard works Involved in the 1947 donation.
Lucien Vollard - Brother of Ambrose Vollard Official donor of works in 1947.

Origin and history

The Léon Dierx Museum, located in Saint-Denis de La Réunion, was first distinguished as a museum of art and history at its opening. His initial collections blended works reflecting 19th-century Western European art and objects evoking the history of Reunion, including the life of the Creole elite and portraits of colonial notables. pieces by artists from Réunion such as Adolphe Le Roy or Louis Antoine Roussin were alongside moulds of Gothic cathedrals, illustrating this dual vocation.

In 1913-1914, the museum enriched its holdings with engravings inspired by Paul and Virginia, and in 1922, thanks to the legacy The Coat of Kervéguen, which brought works by the romantic painter Adèle Ferrand. These acquisitions marked a first phase of expansion, although less sustained thereafter. The museum's artistic orientation gradually became clear, while maintaining an anchor in local history.

The Vollard donation in 1947 radically transformed the museum into a major place of modern art. Lucien Vollard offered 157 works from the collection of his brother Ambrose, a Parisian art merchant from La Réunion. This fonds, including pieces by Cézanne, Gauguin, Picasso or Renoir, was selected with Marius and Ary Leblond. He made the museum a key player for modern Western art, complemented by subsequent acquisitions.

In the 1990s, the Léon Dierx Museum developed a collection of contemporary art, including works by artists such as Ange Leccia, Chen Zen and Yan-Pei Ming. Creations by contemporary artists from Réunion came to enrich this ensemble, questioning identity and modernity. Today, the museum combines historical heritage, modern art and contemporary creations, offering a unique panorama of the local and international artistic scene.

The architecture of the building reflects this duality: a 19th-century facade contrasts with a typical back of the 1960s. This mix symbolizes the mission of the museum, at the crossroads of the history of Réunion and artistic avant-gardes, while remaining anchored in its island territory.

External links

Conditions of visit

  • Téléphone : 02 62 20 24 82
  • Nearby establishments