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Notre-Dame de Luzenac de Moulis Church dans l'Ariège

Patrimoine classé
Patrimoine religieux
Eglise
Eglise romane
Ariège

Notre-Dame de Luzenac de Moulis Church

    La Lano
    09200 Moulis
Église Notre-Dame de Luzenac de Moulis
Église Notre-Dame de Luzenac de Moulis
Église Notre-Dame de Luzenac de Moulis
Église Notre-Dame de Luzenac de Moulis
Église Notre-Dame de Luzenac de Moulis
Église Notre-Dame de Luzenac de Moulis
Église Notre-Dame de Luzenac de Moulis
Église Notre-Dame de Luzenac de Moulis
Église Notre-Dame de Luzenac de Moulis
Église Notre-Dame de Luzenac de Moulis
Église Notre-Dame de Luzenac de Moulis
Église Notre-Dame de Luzenac de Moulis
Église Notre-Dame de Luzenac de Moulis
Église Notre-Dame de Luzenac de Moulis
Église Notre-Dame de Luzenac de Moulis
Église Notre-Dame de Luzenac de Moulis
Église Notre-Dame de Luzenac de Moulis
Crédit photo : Pierre Goujet - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1200
1300
1400
1500
1600
1700
1800
1900
2000
XIIe siècle
Initial construction
XVe siècle
Gothic enlargement
XVIIe siècle
New Baroque facade
26 juin 1961
Historical Monument
2017
Creation of the Heritage Association in Couserans
Aujourd'hui
Aujourd'hui

Heritage classified

Church of Luzenac (Cd. E 1444): by order of 26 June 1961

Key figures

Nicole Latgé - Author and historian Studyed the church (work 2020).

Origin and history

The church of Notre-Dame de Luzenac, located 442 m above sea level in the village of Luzenac on the commune of Moulis (Ariège, Occitanie), is a religious building with multiple architectural influences. Built in the 12th century in a pure Romanesque style, it is characterized by a vaulted central nave completed by a semicircular apse and a twelve-sided bell tower typical of the second Romanesque age, covered with lauzes. This bell tower, decorated with double arched bays, is one of the most remarkable elements of the monument, bearing witness to the mastery of medieval builders.

In the 15th century, the church underwent a significant enlargement, with the addition of vaulted bottoms on cross-heads, modifying its initial structure. The original Romanesque portal, surmounted by a three-piece archvolt, is then moved to incorporate a new façade built in the seventeenth century. The latter, large and low, has massive foothills, a large central oculus and a niche that probably housed a statue of the Virgin. These transformations reflect the evolution of aesthetic tastes, mixing Romanesque heritage and Baroque contribution.

The interior of the church, renovated in the eighteenth century, illustrates an opulent Baroque style with a profusion of stucco, gilding and painted ceilings. Among the notable furniture features is an antique Grand marble bentier, extracted from Aubert's local quarries. Five objects, including four sculptures, are referenced in the Palissy base, highlighting the richness of the movable heritage. Classified as a Historical Monument by decree of 26 June 1961, the church has since 2017 benefited from the commitment of the association Heritage en Couserans, dedicated to its conservation and enhancement.

Architecturally, the building presents a hybrid composition: the Romanesque nave contrasts with the Gothic (bottom-side) and Baroque additions (façade, interior decorations). The bedside, composed of a span of choir and an apse in hemicycle, as well as the sculpted capitals of the columns, recall the Romanesque cannons. The bell tower's arrow, dominating the span of the choir, and the polygonal semi-towers of the foothills (18th century) complete to draw an emblematic monument of Ariegean religious history.

The church's location, along RD 618 and near Lez, and its moderate altitude (442 m), make it a landmark in the Couserans landscape. Its ranking among the historical monuments of Ariège and its integration with the heritage networks (Merimée, Clochers de France) confirm its cultural importance. The work of the local association, coupled with studies such as that of Nicole Latgé (2020), helps to perpetuate her memory and her tourist attraction.

External links