Construction of the Palais 1932 (≈ 1932)
Work by Marcel Chappey, Hall of Feasts and Peace Justice.
1960 et 1988
Ground transformations
Ground transformations 1960 et 1988 (≈ 1988)
Moving the stained glass windows of Barillet into the lobby.
26 septembre 2011
Historical Monument
Historical Monument 26 septembre 2011 (≈ 2011)
Front, roof, lobby and fireplace protection.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The main façade and the roof of the anterior massif, as well as the hall and fireplace (see plan attached to the decree): inscription by order of 26 September 2011
Key figures
Marcel Chappey - Architect
Designer of the Palace in 1932.
Raymond Subes - Iron and steel
Author of ramps and grids.
Louis Barillet - Glass painter
Creator of stained glass and mosaics.
Origin and history
The Palais des Arts et des Congrès d'Issy-les-Moulineaux, built in 1932 by architect Marcel Chappey, embodies the architectural audacity of the 2nd quarter of the 20th century. Originally, this multipurpose building housed a festive hall with, in the basement, a vast gymnasium (now transformed into a reception venue) and, upstairs, a "peace justice" converted into offices. Its design combines utility and aesthetics, with Art Deco elements and subsequent developments.
Major transformations took place in 1960 and 1988, notably in the entresol, where Louis Barillet's stained glass windows, initially placed in the bays, were moved to the large hall. The latter preserves original elements such as the ramps of the large staircase, signed by the ironmaker Raymond Subes. The façade, adorned with ironwork grids of Subes and mosaics of Barillet, has remained unchanged since its creation, reflecting the collaboration between craftsmen and architects.
Ranked a Historic Monument in 2011, the Palace specifically protects its main façade, roof, lobby and fireplace. The latter is distinguished by three bays opening onto a balcony, while the interior decorations (glass windows, ironworks) underline the importance attached to art in public spaces. Owned by the municipality, the building illustrates the evolution of urban uses, moving from administrative and sporting to cultural and event space.
The official address, 23-25 rue Victor-Cresson, places the monument in the Hauts-de-Seine, emblematic department of the Parisian suburbs in full change during the inter-war period. The accuracy of its geographic location is assessed as "passible" (note 5/10), possibly reflecting later urban adjustments. Photo credits, licensed under Creative Commons, document its current state.
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