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Vittel Thermal Park dans les Vosges

Patrimoine classé
Patrimoine thermal
Thermes
Parc thermal de Vittel
Parc thermal de Vittel
Parc thermal de Vittel
Parc thermal de Vittel
Parc thermal de Vittel
Parc thermal de Vittel
Parc thermal de Vittel
Parc thermal de Vittel
Parc thermal de Vittel
Parc thermal de Vittel
Parc thermal de Vittel
Parc thermal de Vittel
Parc thermal de Vittel
Parc thermal de Vittel
Parc thermal de Vittel
Parc thermal de Vittel
Parc thermal de Vittel
Parc thermal de Vittel

Timeline

XIXe siècle
Époque contemporaine
1900
2000
1902
Construction of the large staircase
1912
Inauguration of the Tea-Room
1923
Opening of the Children's Park
1925
Construction of the Emerald Pavilion
1928
Creation of Art Deco floor lamps
1935
Completion of the music exhedron
22 novembre 1990
Historic Monument Protection
Aujourd'hui
Aujourd'hui

Key figures

Fernand César - Architect Manufacturer of the park and its edicles.
Durenne - Founder Director of Art Deco lamps.

Origin and history

Vittel's thermal park, located in the eponymous city of the Vosges, is an architectural complex designed between 1902 and 1935 by architect Fernand César for the Société Générale des Eaux Minerales de Vittel. This iconic site of the first half of the 20th century illustrates the rise of spas and seaside recreation in France, combining curative and refined aesthetic functionality. The flagship elements, such as the large staircase (1902) or the Tea-Room (1912), reflect a desire for modernity and prestige, while the chalets and pavilions (1923-1925) show particular attention to recreational activities and the well-being of the curists.

Buildings of the park span three decades, with notable achievements such as the Heudebert Pavilion (1923), dedicated to the sale of dietary products, or the Emerald Pavilion (1925), decorated with a lantern inspired by Turkish-Persian helmets. L'exhèdre à musique (1935) closes this period of development, while the Art Deco lamps (1928), melted by the Durenne house in Paris, complete to seal the visual identity of the place. The ensemble, partly protected since 1990, embodies the alliance between industrial heritage, thermalism and art of living, characteristic of the spas of the Great East at the beginning of the 20th century.

The park's edicles, such as the cottage of Aisance (1923) with its faiences representing lake birds, or the children's cottage (1925) with ceramic panels, reveal both an educational and recreational dimension. These spaces, designed for families and curists, are part of a logic of therapeutic entertainment, typical of the spas of the time. The park, still owned by a private company, remains a major testimony of French thermalist architecture, where each element, from urban furniture to buildings, contributes to an immersive and neat experience.

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