Construction of the large staircase 1902 (≈ 1902)
Inaugural element of the thermal park.
1912
Inauguration of the Tea-Room
Inauguration of the Tea-Room 1912 (≈ 1912)
Relaxation space for the curists.
1923
Opening of the Children's Park
Opening of the Children's Park 1923 (≈ 1923)
With Ânes and Aisance chalets.
1925
Construction of the Emerald Pavilion
Construction of the Emerald Pavilion 1925 (≈ 1925)
Style inspired by Turkish-Persian helmets.
1928
Creation of Art Deco floor lamps
Creation of Art Deco floor lamps 1928 (≈ 1928)
Founded by Durenne in Paris.
1935
Completion of the music exhedron
Completion of the music exhedron 1935 (≈ 1935)
Last major achievement of the park.
22 novembre 1990
Historic Monument Protection
Historic Monument Protection 22 novembre 1990 (≈ 1990)
Registration of several edicles and elements.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Fernand César - Architect
Manufacturer of the park and its edicles.
Durenne - Founder
Director of Art Deco lamps.
Origin and history
Vittel's thermal park, located in the eponymous city of the Vosges, is an architectural complex designed between 1902 and 1935 by architect Fernand César for the Société Générale des Eaux Minerales de Vittel. This iconic site of the first half of the 20th century illustrates the rise of spas and seaside recreation in France, combining curative and refined aesthetic functionality. The flagship elements, such as the large staircase (1902) or the Tea-Room (1912), reflect a desire for modernity and prestige, while the chalets and pavilions (1923-1925) show particular attention to recreational activities and the well-being of the curists.
Buildings of the park span three decades, with notable achievements such as the Heudebert Pavilion (1923), dedicated to the sale of dietary products, or the Emerald Pavilion (1925), decorated with a lantern inspired by Turkish-Persian helmets. L'exhèdre à musique (1935) closes this period of development, while the Art Deco lamps (1928), melted by the Durenne house in Paris, complete to seal the visual identity of the place. The ensemble, partly protected since 1990, embodies the alliance between industrial heritage, thermalism and art of living, characteristic of the spas of the Great East at the beginning of the 20th century.
The park's edicles, such as the cottage of Aisance (1923) with its faiences representing lake birds, or the children's cottage (1925) with ceramic panels, reveal both an educational and recreational dimension. These spaces, designed for families and curists, are part of a logic of therapeutic entertainment, typical of the spas of the time. The park, still owned by a private company, remains a major testimony of French thermalist architecture, where each element, from urban furniture to buildings, contributes to an immersive and neat experience.