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Passy Cemetery - Paris 16th

Patrimoine classé
Cimetière
Paris

Passy Cemetery - Paris 16th

    Cimetière de Passy
    75016 Paris

Timeline

Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1800
1900
2000
1802
Creation of the cemetery
1860
Annexation by Paris
1874
Aristocratic necropolis
1931-1936
Art Deco entrance
1956
Monument to the dead
Aujourd'hui
Aujourd'hui

Key figures

M. Bonneau - Land donor Offered the initial terrain in 1802.
Marie Bashkirtseff - Painter and diarist Funeral chapel visible from Avenue Paul-Doumer.
René-Félix Berger - Architect Designed the Art Deco entrance (1931-1936).
Paul Landowski - Sculptor Author of the "Monument à la glorité de l'Armée française" (1956).

Origin and history

The Passy Cemetery was established in 1802 to replace a former cemetery in Passy commune, which was deemed unsanitary, located at the current location of Lekain Street. The land, offered by Mr. Bonneau, was near Boulevard de Longchamp, then on the edge of the Wall of the General Farmers. Initially covering less than 9 ares, it was enlarged several times (1826, 1833, 1846, 1854) to reach 180 ares, before being reduced to 174 ares in 1860 during the drilling of Avenue de l'Empereur (now Avenue Georges-Mandel). That same year Passy's annexation by Paris placed the cemetery under the jurisdiction of the capital.

From 1874 onwards, Passy's cemetery became the "aristocratic necropolis" of Paris, attracting elites thanks to its proximity to the chic residential districts of the right bank, near the Champs-Élysées. The concessions were then granted in perpetuity or per 100 years. Between 1931 and 1936, a monumental entrance in Art Deco style, designed by René-Félix Berger, was erected on Rue du Commander-Schloesing (former Rue des Reservoirs). In 1953, a diluvian rain caused the collapse of a wall, replaced in 1956 by the Monument to the Glory of the French Army, sculpture by Paul Landowski commemorating the First World War.

Today, the cemetery extends over 1.74 hectares, bordered by Avenue Georges-Mandel, Place du Trocadéro, Avenue Paul-Doumer and Rue du Commander Schloesing. It has 2,500 graves, shaded by 290 trees of 15 species, and is dominated by the funeral chapel of Marie Bashkirtseff. Administratively attached to the Montparnasse cemetery, it closes in case of weather. The site inspired works such as A Love Page by Émile Zola (1878) and served as a setting for Louis Garrel's film "The Faithful Man" (2018).

External links