Initial construction 1260-1300 (≈ 1280)
Dating by carved decoration and berries.
XIXe-XXe siècles
Major restorations
Major restorations XIXe-XXe siècles (≈ 1865)
Interior changes and volumetric preservation.
2006
Historical Monument
Historical Monument 2006 (≈ 2006)
Protection of facades and roofs.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Fronts and roofs (Box AD 127): inscription by decree of 6 October 2006
Key figures
Information non disponible - No character cited
The source text does not mention any historical actors.
Origin and history
Perrault House, located in Lavardin in the Loir-et-Cher, is a historic monument dating from the second half of the 13th century (between 1260 and 1300). This civil building, partially preserved, is distinguished by its naturalist sculpted decoration (chapitals) and its semi-filled bays, characteristic of Gothic architecture of the period. Originally, its gable on courtyard was made of wood, and the noble floor, now gone, was a single level under structure. The restorations of the 19th and 20th centuries modified some interior elements, but the overall volumetricity was preserved.
Classified as a Historic Monument in 2006, Perrault House is protected for its facades and roofs. Its official address, 21 rue de la Barrière, corresponds to the Merimée base, although its GPS location is considered satisfactory a priori (note 6/10). The site does not mention opening to the public, renting, or current use as guest rooms. Available sources (Monumentum, internal data) highlight its heritage interest in the study of medieval habitat in the Loire Valley.
The historical context of Lavardin in the 13th century is part of a region marked by the development of fortified towns and artisanal activities. Wood-paned houses, such as Perrault House, reflect growing urban prosperity, linked to river trade (evening) and the influence of local lords. These buildings served as both a dwelling, a workshop, and sometimes a storage place for merchants. Their sculpted decor, often naturalistic, reflects artisanal know-how and a desire to assert the social affirmation of their owners, probably bourgeois or wealthy artisans.
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