Crédit photo : --Pinpin 21:49, 22 February 2007 (UTC) - Sous licence Creative Commons
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Timeline
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1700
1800
1900
2000
fin XVIe - début XVIIe siècle
Construction of the pigeon house
Construction of the pigeon house fin XVIe - début XVIIe siècle (≈ 1725)
Period of construction by the Counts of Pailhè.
4 octobre 1932
Registration for historical monuments
Registration for historical monuments 4 octobre 1932 (≈ 1932)
Official protection by ministerial decree.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Pigeonnier : inscription by order of 4 October 1932
Key figures
Comte de Pailhè - Original owner
Lord having built the dovecote.
Comtesse de Pailhè - Associate owner
Wife of the Count, give his name to the monument.
Origin and history
The Pigeonier de Ramonville-Saint-Agne, also known as Pigeonier de la Comtesse, is a circular dovecoier tower built of pink bricks, characteristic of the Toulouse Renaissance architecture. Located in the avenue de Suisse, opposite the pigeon tree cemetery, it is distinguished by its slightly truncated dome pierced with skylights and surmounted by a lantern. This type of construction, rare in the region, reflects the seigneurial privileges of the time, reserved to nobles like the Counts of Pailhè, owners of the monument until the Revolution.
Built between the end of the 16th century and the beginning of the 17th century, this dovecote illustrates the symbolic and economic importance of the dovecotes to the aristocracy. The vestiges of tiles enamelled on its medium cornice bear witness to its original ornaments, while its inscription to historical monuments by order of 4 October 1932 underscores its heritage value. The building thus embodies an architectural heritage linked to the rural and seigneurial history of Haute-Garonne.
The pigeon-house of the Countess represents a preserved example of circular brick pigeon-houses, a typology not widely used in Toulosain. Its dome, skylights and lantern make it a remarkable architectural model, while its association with the Pailhè family anchors its history in the social and political context of the Ancien Régime. Today, there remains a material testimony of feudal privileges and the art of building local.
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