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Pissarro workshop and garden à Éragny-sur-Epte dans l'Oise

Oise

Pissarro workshop and garden

    29 Rue Camille Pissarro
    60590 Éragny-sur-Epte
Crédit photo : Chatsam - Sous licence Creative Commons

Timeline

XIXe siècle
Époque contemporaine
1900
2000
1884
Rental of property
1892
Final acquisition
1893
Redevelopment of the barn
1er juillet 1998
Registration Historic Monument
Aujourd'hui
Aujourd'hui

Heritage classified

Workshop and garden (Box B 378, 379): registration by order of 1 July 1998

Key figures

Camille Pissarro - Impressionist painter Owner and user of the workshop.
Claude Monet - Impressionist painter Lender for buying the property.
Jean-Alfred Besnard - Architect Master of buildings.

Origin and history

The shop and garden of Pissarro, located in Éragny-sur-Epte in the Hauts-de-France, is a property acquired by the painter in 1892 after having rented it in 1884. This place, composed of a brick house with stone frames and a slate roof, as well as a barn transformed into a workshop, became a high place of impressionist painting. The house, of square plan, has lost its original interior decoration, but retains a structure characteristic of the period.

The barn, renovated in 1893, housed stables and sheds on the ground floor, while the floor was dedicated to the shop in Pissarro. The latter was equipped with a huge window in the middle of a 3 meters opening on the north wall, and a window with views of the orchard to the west. Access to the workshop was via an outdoor covered staircase, a typical layout of the artists' workshops of this period.

This place was a major source of inspiration for Pissarro and a meeting point for many Impressionist artists, such as Cézanne, Monet, Sisley, Renoir and Mirbeau. The workshop and the house of Eragny, registered as a Historic Monument in 1998, symbolize the importance of this artistic current in the region. The property, acquired by borrowing from Monet, also illustrates the close links between these painters.

Today, the workshop and the garden, protected for their heritage value, recall Pissarro's artistic heritage and its influence on its peers. Their preservation allows us to understand the environment in which these major works of Impressionism were created, while offering a material witness to the life and work of these artists at the end of the 19th century.

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