Construction of calvary 1555 (≈ 1555)
First campaign in keranton, statue of Saint Germain.
1530–1583
Beginning of church construction
Beginning of church construction 1530–1583 (≈ 1557)
Consecration in 1583, transepts dated 1564.
1588–1642
Church completion
Church completion 1588–1642 (≈ 1615)
Renaissance Tower, interruptions by wars.
1650
Additions to Calvary
Additions to Calvary 1650 (≈ 1650)
Additional scenes by Julien Ozanne (Brest).
1738
Displacement of Calvary
Displacement of Calvary 1738 (≈ 1738)
Changing the base to facilitate access.
2015
Restoration of the calvary
Restoration of the calvary 2015 (≈ 2015)
End of the work, revelation of the original polychromies.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church (Box AE 125): ranking by list of 1846; Calvary: ranking by list of 1875; Ossuary: by order of 21 December 1914
Key figures
Alain Kergadalen - Rector of Pleyben
Commander of transepts in 1564.
Julien Ozanne - Architect from Brest
Author of scenes of the Calvary in 1650.
Thomas Dallam - Organ factor
Constructed organs between 1688 and 1692.
Guillaume Kerlezroux - Architect
Directed the work of the church (1633–42).
François et Germain Favennec - Architects-masons
Rebuilt the south arm in 1714.
Origin and history
The parish enclosure of Pleyben, located in the Finistère, is an architectural complex emblematic of Brittany, composed of a church, a calvary, an ossuary, a monumental arch and a cross. Ranked among the historical monuments from 1846 for the church, 1875 for the calvary and 1914 for the ossuary, it illustrates the transition between Gothic and Renaissance styles, as well as Breton religious art of the 15th-17th centuries. Its history is marked by construction campaigns spread over two centuries, reflecting the artistic developments and political upheavals of the time, such as the wars of the League that interrupted the work of the church.
The Saint-Germain church, whose construction began in 1530 and finished in 1642, blends Gothic elements (voûts, Beaumanoir bedside) and Renaissance (dôme-pigeon tower, carved decor). Its polychrome sandstones of 1571, its 16th century stained glass windows narrate the Passion, and its baroque altarpieces of the 17th to 18th centuries bear witness to a rich artistic heritage. The Calvary, erected in three phases (1555, 1650, 1738), is the most massive of Brittany, with 28 groups carved in keranton relating the Passion, combining 16th century costumes and religious symbolism. The 16th century ossuary, restored in 1733, served in turn as chapel of the dead, school and post office.
The site also reflects Breton community life: the enclosures, bounded by a wall, symbolically separated the living from the dead, while the triumphal arch (1725) and the salt cross marked places of assembly or trade, as for the Guérande paludiers. Successive restorations (XIX–XXI century), including that of Calvary in 2015, preserved this heritage, while revealing traces of original polychromy. The organs of Thomas Dallam (1688–92), although modified, and the polychrome statues (like that of Saint Germain of 1555) complete this exceptional, classified and protected ensemble.
The parish enclosure of Pleyben thus embodies both a place of worship, an artistic masterpiece and a witness to the social and religious history of Brittany. Its hybrid architecture, narrative sculptures and evolutionary use make it a major site of French heritage, attracting researchers and visitors for its authenticity and iconographic richness.
Propose an amendment
Future
During the summer of 2010, the association "Les seven calvaires monumentaux de Bretagne" reintroduced in colour, by means of video projectors, the Calvary of Pleyben, finding as much as possible the original colours because the calvaries were painted. On many calvaries, traces of painting were found, in the folds of the clothes of statues, for example.
Announcements
Please log in to post a review