Construction of the 4th gate 1672 (≈ 1672)
Replaces the medieval gate under Louis XIV.
1673
Inauguration of the arch
Inauguration of the arch 1673 (≈ 1673)
Work by Blondel and Anguier.
1830
Three Glory
Three Glory 1830 (≈ 1830)
Faces near the door.
1862
Historical monument classification
Historical monument classification 1862 (≈ 1862)
First list of HMs in France.
1988
Restoration of the monument
Restoration of the monument 1988 (≈ 1988)
Conservation work carried out.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Porte Saint-Denis : classification by list of 1862
Key figures
François Blondel - Architect
Door designer in 1672.
Michel Anguier - Sculptor
Author of bas-reliefs and trophies.
Louis XIV - Sponsor (king of France)
Celebrated by the monument.
Charles Le Brun - Drafter
Provided models of the figures.
Origin and history
The Saint-Denis Gate is a Parisian triumphal arch built in 1673 under Louis XIV, to the glory of his military victories. Commanded by the king and financed by the city, it replaces an ancient medieval gate of Charles V. Designed by architect François Blondel and sculptor Michel Anguier, it symbolizes royal power with its bas-reliefs evoking the conquests of the Rhine and Maastricht.
The monument is inspired by the Arch of Titus in Rome, with a structure of 24,65 m wide and 25 m high. It is decorated with trophies, obelisks and allegorical figures, including a representation of the defeated United Provinces. The Latin inscriptions recall Louis XIV's military exploits, such as the capture of Maastricht in thirteen days. Classified as a historic monument in 1862, it was restored in 1988.
Located at the intersection of Grands Boulevards and Rue Saint-Denis, the gate marks the historic axis leading to the Basilica Saint-Denis. It is the fourth of a series of five buildings bearing this name, reflecting the evolution of the Parisian fortifications. The adjacent walls of the medieval enclosure have disappeared, leaving the arc isolated as a lasting symbol of absolutism.
The bas-reliefs, carved by Michel Anguier after drawings by Charles Le Brun, illustrate two major scenes: The Rhine Passage and Maastricht surrender. The Latin inscriptions, engraved on the letter, detail the conquests in sixty days and the speed of victory. The gate, initially integrated with a tax barrier, is now an urban landmark accessible from the Strasbourg–Saint-Denis metro station.
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