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Porte Saint-Martin in Paris

Patrimoine classé
Porte
Paris

Porte Saint-Martin in Paris

    Rue du Faubourg-Saint-Martin
    75010 Paris

Timeline

Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1700
1800
1900
2000
1673
Destruction of the medieval bastide
1674
Construction of the current door
1862
Historical monument classification
1988
Restoration of the monument
Aujourd'hui
Aujourd'hui

Key figures

Louis XIV - King of France (1643–1715) Sponsor of the door for his victories.
Pierre Bullet - Architect Designer of the Saint Martin Gate.
François Blondel - Architect and mentor Master of Pierre Bullet, creator of the Saint-Denis Gate.
Pierre Ier Legros - Sculptor Author of the bas-relief *La Prise du Limbourg*.
Gaspard Marsy - Sculptor Author of The German Defeat.

Origin and history

The Porte Saint-Martin is a Parisian monument erected in 1674 under the reign of Louis XIV, at the location of an old gate of the enclosure of Charles V. Commanded to celebrate the French victories on the Rhine and in Franche-Comté, it was designed by architect Pierre Bullet, student of François Blondel, creator of the nearby Saint-Denis gate. The adjacent walls of the enclosure, now missing, once framed this triumphal arc of 18 meters high, adorned with allegorical bas-reliefs.

The building replaces three successive medieval doors, dated from the 10th, 13th and 14th centuries, which mark the defensive history of Paris along Rue Saint-Martin. The last, a 14th century bastide, was destroyed in 1673 to give way to the present monument. Ranked among the first historical monuments in 1862, the Porte Saint-Martin was restored in 1988 to preserve its sculptures and limestone structure.

The north and south facades of the arch bear Latin inscriptions glorifying Louis XIV, represented in Mars or Hercules, symbolizing his military power. The bas-reliefs, works by Pierre Legros, Gaspard Marsy, Étienne le Hongre and Martin van den Bogaert, illustrate scenes such as La Prise du Limbourg (1675) or La Rupture de la Triple Alliance. These allegories, combined with the use of marble for the sake of art, highlight the artistic fascist of the Great Century.

Located at the crossroads of the Grands Boulevards and the Saint-Martin axis, the gate is today an urban landmark of the 10th arrondissement, accessible via the metro station Strasbourg - Saint-Denis. Its strategic location, originally integrated into the defensive enclosure, now marks the transition between the historic centre and the suburbs, reflecting the evolution of Paris since the Middle Ages.

External links