Foundation of the Priory 1151 (≈ 1151)
Created by Bertrand de Griffouille and Guillaume Robert.
XIVe–XVe siècles
Renovations of the chapel
Renovations of the chapel XIVe–XVe siècles (≈ 1550)
Major architectural changes.
29 juillet 1977
Historic Monument Protection
Historic Monument Protection 29 juillet 1977 (≈ 1977)
Classification of the chapel and inscription of facades.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Facades and roofs of the building of the former priory (H 349): inscription by order of 29 July 1977; Chapel (Box H 349): Order of 29 July 1977
Key figures
Bertrand de Griffouille - Founding monk
Originally from the Abbey of The Crown.
Guillaume Robert - Disciple and co-founder
Associated with Bertrand de Griffouille.
Abel Beaufrère - Local historian
Studyed frescoes in 1971.
Origin and history
The Priory of Notre-Dame-du-Pont, also known as Domus de Ponte, was founded in 1151 by the monks Bertrand de Griffouille and his disciple Guillaume Robert, native to the Abbey of Notre-Dame de La Couronne. These religious, known for their role as builders, erected a dozen chapels in Haute-Auvergne, nine of which remain. Their action went beyond the spiritual framework: they introduced agricultural techniques, wood crafts, education, and spread the Gospel, lastingly marking the region.
Located on the banks of the Rance, on the municipality of Leynhac (Cantal), the priory consists of a convent building and a Romanesque chapel. The facades and roofs of the former priory have been listed as historical monuments since 29 July 1977, while the chapel, remodeled in the 14th, 15th and 18th centuries, is classified by the same decree. The site illustrates medieval religious architecture and the heritage of monastic communities in Auvergne.
The frescoes of the chapel, studied by Abel Beaufrère in his 1971 work, bear witness to local Romanesque art. Today owned by the commune, the priory retains a major heritage value, linked to its monastic history and its role in the cultural development of the Haute-Auvergne. Its state of conservation and its location (noted satisfactory by Monumentum) make it an emblematic place of the Cantal.
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