Construction context 1850 (≈ 1850)
Two religious buildings already exist in Mazamet.
XIXe siècle
Construction period
Construction period XIXe siècle (≈ 1865)
Construction of the new Temple by Alexandre Laffon.
3 juin 2015
Monument protection
Monument protection 3 juin 2015 (≈ 2015)
Registration for Historic Monuments.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The Protestant temple known as " Temple Neuf" or " Temple of Sagne", sis 5bis rue de la République (Box AH 157): inscription by order of 3 June 2015
Key figures
Alexandre Laffon - Architect
Manufacturer of Mazamet Temple Nine.
Origin and history
The Protestant Temple known as Temple New or Temple of Sagne is an emblematic monument of Mazamet, built in the 19th century. In 1850, the city already had two places of worship: the Church of Saint-Sauveur, dating from the 18th century, and the Temple of Saint-Jacques, erected in 1802. Faced with the growth of religious communities, the Catholic and Protestant parishes simultaneously decided to build new buildings. This context led to the construction of the new Neoclassical Temple, designed by the Toulouse architect Alexandre Laffon.
Unlike other religious buildings in Mazamet, the New Temple is located on the outskirts of the historic centre, in a neighbourhood that was then developing. This choice may reflect a desire to mark a spatial distinction between communities, or simply an adaptation to the urban constraints of the time. The building, located at 5bis rue de la République, is now protected: it was registered in the Historical Monuments by order of 3 June 2015.
The New Temple is part of a period of architectural and religious renewal in Occitanie. In the 19th century, Mazamet, like other cities in the region, experienced economic growth linked to the textile industry and trade. Protestant temples, often more sober than Catholic churches, play a central role in community life, welcoming not only services but also social and educational gatherings. Their construction testifies to the vitality of religious minorities in a France that was then marked by tensions between the State and the Church.
The architect Alexandre Laffon, originally from Toulouse, is a key player in this project. His work on the New Temple illustrates the influence of neoclassical currents in southern France, where Protestant religious buildings often adopt clean and symmetrical lines. Laffon, although less well known than some of his contemporaries, thus contributes to shaping the architectural landscape of Occitanie, responding to the specific needs of local communities.
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