Construction of church 1180–1220 (≈ 1200)
Presumed period of initial construction.
XIIIe siècle
Shrine and choir
Shrine and choir XIIIe siècle (≈ 1350)
Addition of the eastern parts.
XVIe siècle
Charpente
Charpente XVIe siècle (≈ 1650)
Presumed date of structure.
1782
Fonte de la belle Antoinette
Fonte de la belle Antoinette 1782 (≈ 1782)
Bronze bell named *Antoinette*.
novembre 2021
Heritage Label of Regional Interest
Heritage Label of Regional Interest novembre 2021 (≈ 2021)
Official recognition of its value.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Origin and history
The church of Saint-Antonin-de-Pamiers, also known as the church of Saint-Antoine or Saint-Antoine-et-Saint-Félix, stands in the heart of the village of Châtres, in Seine-et-Marne. This rectangular building consists of three naves, each divided into four spans. Its architecture reflects a progressive construction, with distinct elements dating from different periods.
The church was reportedly built between 1180 and 1220, while its sanctuary and choir date back to the thirteenth century. The later structure dates back to the 16th century. These stages of construction illustrate the evolution of liturgical techniques and needs over centuries. The building was recognized for its heritage value in November 2021, earning the "Heritage of Regional Interest" label.
The church furniture is particularly remarkable, with several rooms protected as historical monuments. Among them are a bronze bell of 1782 named Antoinette, benches of faithful, an 18th-century bentier decorated with volutes, and painted wooden statues representing a Christ on the cross, Saint Felix, and a holy bishop. The paintings (such as The Annunciation or Virgin to the Child with Saint Elizabeth) and the glass windows (including one illustrating the baptism of Clovis) complete this artistic ensemble.
These furniture elements, combining piety and craftsmanship, testify to the cultural and religious richness of the region. Their preservation allows to trace local history, from liturgical practices to stylistic evolutions, from the Middle Ages to the modern era.
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