Gothic reconstruction vers 1460 (≈ 1460)
After the Wars of Religion.
1838
Reconstruction of the bell tower
Reconstruction of the bell tower 1838 (≈ 1838)
Partially demolished, surmounted by an arrow.
XVIIIe siècle
Enlargement and new name
Enlargement and new name XVIIIe siècle (≈ 1850)
Addition of spans and western facade.
vers 1930
Installation of stained glass windows
Installation of stained glass windows vers 1930 (≈ 1930)
Directed by the Mauméjean workshop.
27 septembre 2006
Registration for Historic Monuments
Registration for Historic Monuments 27 septembre 2006 (≈ 2006)
Protection of the entire building.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The entire church (Box AB 21): inscription by order of 27 September 2006
Key figures
Information non disponible - No character cited
The source text does not mention any specific actors.
Origin and history
The church of Saint-Blaise-et-Saint-Martin de Chaudes-Aigues, located in the Cantal region of Auvergne-Rhône-Alpes, is a Gothic building rebuilt around 1460 after the destruction of the Wars of Religion. It underwent several major transformations, notably in the 15th, 18th and 19th centuries, with enlargements, consolidations and the partial reconstruction of its bell tower in 1838. Its present name, combining Saint-Martin and Saint-Blaise, dates from the 18th century, when the building was also enriched with a new western facade and two additional spans in the nave.
In the 19th century, the church incorporated neo-Gothic elements, such as woodwork surrounding the 16th century stalls, and benefited from significant restorations, especially in 1974. The stained glass windows, made around 1930 by the Mauméjean workshop, as well as its remarkable furniture (lutrin, bentier, pulpit, wooden Pieta), testify to its artistic and liturgical evolution. The building, which has been listed as a historical monument since 2006, also maintains an external metal cross on the "Planol" site.
The church architecture combines a high nave flanked by chapels, a choir decorated with carved stalls, and an oak master altar. These features, combined with its turbulent history, make it a notable example of the Cantalian religious heritage, reflecting stylistic influences and community needs throughout the centuries.
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