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Saint-Cénéry Church of Parigné-sur-Braye en Mayenne

Mayenne

Saint-Cénéry Church of Parigné-sur-Braye

    2 Bis Place de l'Église
    53100 Parigné-sur-Braye

Timeline

Antiquité
Haut Moyen Âge
Moyen Âge central
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
0
100
400
500
1100
1200
1500
1600
1700
1800
1900
2000
15-24 février 1906
Conflict in inventory
IVe siècle
Initial Foundation
XIe siècle
Construction of the current church
1186
Change of dedication
XVe siècle
Reconstruction of the choir
1646-1649
Making the Lavalian retable
XVIIe siècle
Addition of side chapels
1829
Paintings by Jean Gourdier
début XXe siècle
Major renovation
Aujourd'hui
Aujourd'hui

Key figures

Saint Thuribe - Bishop of Le Mans Founder of the church in the fourth century
François II Houdault - Sculptor and restorer Author of the retable lavallois (1646-1649)
Jean Gourdier - Mayenian painter Author of the tables *La Cène* and *Baptism* (1829)
Alfred Tessier - Architect of the 20th century Directed the renovation of the church

Origin and history

The Church of St.Cenery, originally dedicated to the Virgin Mary, was renamed in 1186 in honour of St. Founded in the fourth century by Saint Thuribe, bishop of Le Mans, it was rebuilt from the eleventh century. The choir, redone in the 15th century, and the lateral chapels, added in the 17th century, illustrate its architectural evolution.

In the 19th and 20th centuries, the church, in an advanced state of disrepair, underwent important works. In 1906, the menacing frame and bell tower were renovated under the direction of architect Alfred Tessier. The stained glass windows, slate cover and slate walls are also restored, thus preserving the building.

The interior preserves a Romanesque nave of the eleventh century, adorned with a fern leaf apparatus, and two lateral chapels dated 1660 and 1668. The altar retable, in the Lavallois style, was created by François II Houdault between 1646 and 1649. It houses statues of St Peter, St Paul and the Virgin Mary, as well as a central picture depicting the Ascension of Christ.

Two other altarpieces, decorated with paintings by the painter Jean Gourdier (1829), complete the decor. The church also houses statues of Isidore the Labourer, Saint Roch and Saint Barbe. Despite his dedication to Saint Ceneri, no statue represents him.

The 1906 inventory was marked by tensions: the officer, confronted with closed doors and the parish priest's protests, returned with six gendarmes. This episode reflects conflicts related to the law of separation of churches and the state.

External links