Renovation of bedside XVIe siècle (≈ 1650)
Flat wall redesigned.
3e quart XIXe siècle
Construction of the porch
Construction of the porch 3e quart XIXe siècle (≈ 1962)
Addition of the polygonal bell tower.
24 mai 1973
Registration for historical monuments
Registration for historical monuments 24 mai 1973 (≈ 1973)
Official protection of the building.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church (C 82): registration by order of 24 May 1973
Key figures
Itier - Abbé de Lesterps
Donor of the church in 1158.
Évêque de Limoges - Beneficiary of donation
Receives the church in 1158.
Origin and history
The church Saint-Goussaud, located in the Creuse department in Nouvelle-Aquitaine, has its origins in the 4th quarter of the 12th century, with major extensions in the 13th, 15th and 19th centuries. The building, originally linked to the Archpriested of Bénévent, was ceded in 1158 by Itier, abbot of Lesterps, to the bishop of Limoges. Its current plan includes a unique nave of three spans, the first two of which, covered with a broken cradle, date from the 13th century, while the third, arched dogives, dates back to the 15th century. Two side chapels, added in the 15th and 17th centuries, frame the nave, and the flat bedside was redesigned in the 16th century.
The western porch, surmounted by a polygonal bell tower, is an addition of the third quarter of the 19th century, probably rebuilt or restored at that time. The ensemble, characterized by its mixture of Romanesque, Gothic and modern styles, was inscribed in historical monuments on 24 May 1973. The property of the church returns today to the municipality of Saint-Goussaud, which ensures its preservation.
Available sources, including the Merimée and Monumentum bases, highlight its historical role as a religious cure and its architectural evolution reflecting the liturgical and aesthetic needs of successive periods. The site, though modest in its rural location, offers a tangible witness to the transformations of the limousine religious heritage, marked by the influences of the local abbots and the bishops of Limoges.
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