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Saint John Baptist Church of Goudou à Labastide-Murat dans le Lot

Patrimoine classé
Patrimoine religieux
Eglise
Eglise romane
Lot

Saint John Baptist Church of Goudou

    D677
    46240 Labastide-Murat
Église Saint-Jean-Baptiste de Goudou
Église Saint-Jean-Baptiste de Goudou

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1200
1300
1400
1500
1600
1700
1800
1900
2000
XIIe siècle (2e moitié)
Medieval origins
1457
Village repopulation
1518
Funeral chapel of Marie d'Arpajon
Fin XVe siècle
Partial reconstruction
1836
Adding sacristy
1941
Creation of the stained glass *The Takeoff*
15 novembre 1993
Historical monument classification
Aujourd'hui
Aujourd'hui

Heritage classified

Church (Box B 429): registration by order of 15 November 1993

Key figures

Marie d'Arpajon - Patron and donor Finances the southern chapel in 1518.
Abbé Levet - Curé restaurateur Initiator of the works in the 1940s.
Georges-Émile Lebacq - Painter and cartonmaker Author of the 1941 stained glass drawing.
Francis Chigot - Master glass Stained glass director *The Takeoff*.
Baron de Castelnau-Bretenoux - Local Lord Organizes repopulation in 1457.

Origin and history

The church of Saint-Jean-Baptiste de Goudou, located in Labastide-Murat in the Lot, has its origins in the 12th century, as evidenced by the still visible committed columns. The village, deserted during the Hundred Years War, was repopulated in 1457 under the impetus of the Baron of Castelnau-Bretenoux, leading to the partial reconstruction of the building at the end of the 15th century. The church, from plan to Latin cross, preserves traces of this period, including its side chapels vaulted with warheads and its rectangular choir separated by a triumphal arch.

In the 16th century, Marie d'Arpajon, widow of Jean d'Hébrard, financed the construction of a southern chapel, probably the one described in her will of 1518. The modifications continued in the 19th century: a sacristy was added in 1836, and plans for expansion (western hatchery, northern chapel) were led by anonymous architects. The building, poorly maintained, was restored in the 1940s by Abbé Levet, who worked with Belgian painter Georges-Émile Lebacq and master glassmaker Francis Chigot to create a stained glass window representing La Décolletation de Saint Jean-Baptiste, always visible in the bedside.

Ranked a historic monument in 1993, the church illustrates the architectural and artistic evolution of a rural building, marked by periods of decline (Century Years War) and renaissance (medieval population, modern restorations). Its 20th century stained glass windows, the result of a collaboration between artists and religious, contrast with its late Gothic structure, reflecting a history that is both local and connected to national artistic currents.

Historical sources point to its central role in the community, from collective increases from the 15th century to cultural initiatives of the 20th century. The building, a communal property, remains a testament to the social and religious dynamics of Quercy, between the Middle Ages and the contemporary era.

External links