Donation to the Abbey of Saint-Alyre 1246 (≈ 1246)
Hugues and Géraud de Banson give in to the rights.
25 avril 1746
Partial collapse
Partial collapse 25 avril 1746 (≈ 1746)
Parishians finance repairs.
1897
Closing of the church
Closing of the church 1897 (≈ 1897)
Ordained by the prefecture.
1901
Reconstruction adopted
Reconstruction adopted 1901 (≈ 1901)
Project by François-Louis Jarrier.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Hugues de Banson - Donor
Cedes rights in 1246.
Géraud de Banson - Donor
Brother of Hugues, co-delivery.
François-Louis Jarrier - Architect
Designed the reconstruction in 1901.
Origin and history
The church of Saint-Jean de Monges, located at the place known as Monges on the commune of Gelles (Puy-de-Dôme), is a religious building dating back to the 13th century. Built in granite and basalt bellows, it adopts an elongated plane typical of the Romanesque style, with a framed nave of two arched lower sides in cradle. Its bell tower, positioned excreted to the east of the choir, and its slate roof with various shapes (long panels, polygonal arrow) testify to local architectural adaptations. A straight staircase in masonry, located hors-oeuvre, completes the ensemble, reflecting medieval construction techniques.
The parish of Monges was attested as early as 1246, when Hugues de Banson and his brother Géraud transferred the patronage rights of the church to the Abbey of Saint-Alyre de Clermont. Little information remains about the original building, but its partial collapse in 1746 forced parishioners to finance repairs. In the 19th century, the church, described as a single nave vaulted with dogive crosses and flanked by lateral chapels, deteriorated deeply. Two reports (1894 and 1895) alerted him to his critical state of health, leading to its closure in 1897. A reconstruction project, led by architect François-Louis Jarrier in 1901, resulted in a Romanesque-style church reinterpreted, with an initially planned polygonal choir but finally built in circular form, illustrating the evolution of architectural norms of the period.
The history of St John's Church in Monges reflects the challenges of preserving rural heritage. The 19th century documents reveal tensions between local cultural needs and financial constraints, typical of small parishes. The reconstruction of 1901, although partially modifying the original plan, marked a desire to perpetuate a place of worship anchored in the landscape since the Middle Ages. Today included in the general inventory of cultural heritage, it embodies both the persistence of Romance traditions and the adaptations imposed by historical hazards.
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