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Saint Marguerite Church of Hangest-sur-Somme dans la Somme

Patrimoine classé
Patrimoine religieux
Eglise romane et gothique
Somme

Saint Marguerite Church of Hangest-sur-Somme

    10 Rue Jean Baptiste Carpentier
    80310 Hangest-sur-Somme
Église Sainte-Marguerite de Hangest-sur-Somme
Église Sainte-Marguerite de Hangest-sur-Somme
Église Sainte-Marguerite de Hangest-sur-Somme
Église Sainte-Marguerite de Hangest-sur-Somme
Église Sainte-Marguerite de Hangest-sur-Somme
Église Sainte-Marguerite de Hangest-sur-Somme
Église Sainte-Marguerite de Hangest-sur-Somme
Crédit photo : Markus3 (Marc ROUSSEL) - Sous licence Creative Commons

Timeline

XIXe siècle
Époque contemporaine
1900
2000
Début XIXe siècle
Organ construction
16 septembre 1907
Partial MH classification
1944
Christ's Cross Classification
8 septembre 2018
Label bats
Aujourd'hui
Aujourd'hui

Heritage classified

Facade and bell tower: by order of 16 September 1907

Key figures

Jean-Baptiste Carpentier - Sculptor assigned Suspected author of Christ on the Cross.
Alizan - Supposed organ factor Possible author of organs (XIXe).

Origin and history

The Sainte-Marguerite church of Hangest-sur-Somme, located in the department of the Somme (Hauts-de-France), is a Catholic building built in part in the Romanesque period. It has undergone subsequent transformations, notably on its façade and bell tower, protected since 1907 as historical monuments. Its stone architecture, typical of the hall churches, includes a central vaulted nave in a broken cradle and a choir completed by a polygonal apse. The bell tower, potentially preserving Romanesque elements, now houses a colony of common serotins, a protected species.

The church furniture is remarkable: a master altar, a monumental lutrin, and woodwork from the Gard Abbey adorn the choir. The baptismal fonts, decorated with muffles and lions, rest on dolphins, while a Christ in polychrome wood cross, attributed to Jean-Baptiste Carpentier, has been classified since 1944. The organs of the 19th century, perhaps made by factor Alizan, have a zinc facade representing canons. Their piping mixes tin, lead and oak wood.

The building illustrates the architectural evolution between the Romanesque style and the flamboyant or Renaissance influences, visible in the porch. Its religious and heritage role is reinforced by elements such as the protection of bats, worth the municipality a label in 2018. The sources also mention links with local artisans, such as sculptor Jean-Baptiste Carpentier, and comparisons with other regional organs, such as that of Ailly-le-Haut-Clocher.

A communal property, the church remains an active place of worship while being a historical and ecological witness. Its precise location, 8 Rue Jean-Baptiste Carpentier, and its partial classification (façade and bell tower) make it an emblematic monument of the Somme, integrated with heritage networks such as Mérimée or the Observatory of Religious Heritage.

External links